Art/ Collection/ Art Object

Seventeenth Century Lady

Artist:
William Merritt Chase (American, Williamsburg, Indiana 1849–1916 New York)
Date:
ca. 1895
Medium:
Oil on canvas
Dimensions:
36 1/2 x 23 3/4in. (92.7 x 60.3cm)
Classification:
Paintings
Credit Line:
George A. Hearn Fund, 1906
Accession Number:
06.1220
On view at The Met Fifth Avenue in Gallery 774
A consummate eclectic, Chase borrowed freely from old masters such as Frans Hals, Rembrandt van Rijn, and Diego Velázquez, and from contemporaries such as Édouard Manet, James McNeill Whistler, and John Singer Sargent. Here, he refers in the title of his painting to tradition, but shows a woman dressed in modern attire. She is seen from behind in a dark, ambiguous setting that is pierced by a sliver of light that suggests a slightly opened door. Uninterested in his model's particular identity, Chase calls attention to her gown, which he describes with expressive brushwork and subtle tones of white. Chase had painted a full-length portrait of his wife entitled Lady in White (1894; private collection), of which a critic observed when it appeared at the Pennsylvania Academy of the Fine Arts: "It is little more than a study of a white satin dress against a dark background, for her face is turned from the spectator." The same could be said for this painting.
Signature: [at lower right]: Wm M. Chase
George A. Hearn, New York (before 1896); his son, Arthur Hoppock Hearn, New York (1896–d. 1906); George A. Hearn, New York (1906)
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