Art/ Collection/ Art Object
{{img.publicCaption}}

Across the Campagna

Artist:
George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland)
Date:
1872
Medium:
Watercolor, gouache, and graphite on off-white wove paper
Dimensions:
6 13/16 x 10 5/16 in. (17.3 x 26.2 cm)
Classification:
Drawings
Credit Line:
Bequest of Susan Dwight Bliss, 1966
Accession Number:
67.55.145
Not on view
The few watercolors that Inness created served primarily as studies for oil paintings. That these works remained in the collections of the artists’ descendents reinforces their identity as private instruments and suggests that Inness never intended to offer them for sale. However, his engagement with watercolor flourished during his 1870–74 stay in Italy, where he had gone primarily to create marketable paintings. While studying the landscapes surrounding Perugia and Rome, and during a trip to Venice in 1873, he produced at least twenty-five watercolors. He would often begin with a fairly careful study of the setting in pen or pencil and then add tonal effects in watercolor and gouache. Michael Quick has identified Across the Campagna as “a view from near the coast, across the Campagna or Pontine marshes,” that is, in the Lazio region, south of Rome. Neighboring sites that Inness often painted during this period include Lake Albano, Lake Nemi, and Castel Gandolfo. Here, however, Inness avoided familiar landmarks. The nearly abstract division of terrain into rectangular swatches of verdant foreground and pale blue sky perfectly captures the placid tenor of the isolated terrain. The addition of a thin film of pale pink above the horizon adds a warm counterpart to the otherwise cool tonalities of the setting. Inness finished the work with a few light graphite lines to demarcate points of visual interest: a building at the horizon on the left and a stand of pine trees at the right. For its refinement and elegiac tenor, Across the Campagna presages some of the finest works from Inness’ renowned late landscape period, notably "The Lone Farm, Nantucket" (1892), in the Art Institute of Chicago.
Signature: [at lower left]: G. Inness

Inscription: [on verso at center, below an unfinished sketch in graphite of trees and buildings]: Ostia [Dec?] / 8 72
Related Objects

Evening at Medfield, Massachusetts

Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland) Date: 1875 Medium: Oil on canvas Accession: 10.64.6 On view in:Gallery 774

Landscape

Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland) Date: 1884 or 1889 Medium: Oil on canvas Accession: 67.187.211 On view in:Gallery 774

Peace and Plenty

Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland) Date: 1865 Medium: Oil on canvas Accession: 94.27 On view in:Gallery 760

Autumn Oaks

Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland) Date: ca. 1878 Medium: Oil on canvas Accession: 87.8.8 On view in:Gallery 761

Delaware Water Gap

Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland) Date: 1861 Medium: Oil on canvas Accession: 32.151 On view in:Gallery 761