Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; H. Randolph Lever Fund, 1973
Not on view
Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The robe à l'anglaise developed with a fitted back after the style of dress worn in England. The silhouette, composed of a funnel-shaped bust feeding into wide rectangular skirts, was inspired by Spanish designs of the previous century and allowed for expansive amounts of textiles with delicate Rococo curvilinear decoration. The wide skirts, which were often open at the front to expose a highly decorated underskirt, were supported by panniers created from padding and hoops of different materials such as cane, baleen or metal. The robes à l'anglaise are renowned for the beauty of their textiles and the meticulous fit of their bodice back.
Marking: Handwritten tag in dress: "One of Mary Stoddon's wedding trousseau/ who married William Beencombe/ nr Taunton 1776/ now belonging to M.S.S. Pringmold 1883."