Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Glazed earthenware, overglaze enamel decoration
Overall: 36 x 49 1/4 in. (91.4 x 125.1 cm)
Each tile: 8 x 8 in. (20.3 x 20.3 cm)
Bequest of Arthur G. Altschul, 2002
On view at The Met Fifth Avenue in Gallery 767
This surprising work by Homer is one of his rare examples of decorative painting on ceramic. It was produced during the artist’s active involvement with the Tile Club. One of many New York artist organizations established after the nation’s centennial, the Tile Club was a self-conscious response to the country’s growing interest in the so-called household art movement, also known as the Aesthetic movement, which called for a marriage of the beautiful and useful. The surround’s pastoral figures evoke both the contemporary work of English artist Walter Crane as well as Homer’s own Houghton Farm watercolors.
The tiles were made for Homer's brother Charles Savage Homer's house in West Townsend, Massachusetts. They were part of the Homer Estate. Arthur Altschul purchased the tiles in 1958.
Artist: Formerly attributed to Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)Date: November 10, 1860Medium: Wood engraving after a photographAccession: 28.111.1(9)On view in:Not on view