After a design by Reinhold Vasters (German, Erkelenz 1827–1909 Aachen)
second half 19th century
Rock crystal, verre eglomisé, enamel, gold
H. 11 3/8 in. (28.9 cm.)
Natural Substances-Rock Crystal
Bequest of Benjamin Altman, 1913
Not on view
The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, a head). In other instances, relics were preserved in containers of more traditional form.
Jewels containing relics served as gestures of piety as well as displays of personal wealth. Such devotional ornaments became especially popular in early-seventeenth-century Spain, where sumptuary laws restricted most nonreligious personal adornment. Many of the most elaborate works produced by goldsmiths and jewelers were rosaries, crucifixes, and other Catholic emblems, which enabled their wearers to evade royal prohibitions. Extraordinary jewels were also donated to churches for the embellishment of revered devotional images.
Frédéric Spitzer , Paris (until 1893; his sale, Paris, April 17–June 16, 1893, no. 2638); Benjamin Altman , New York (until 1913; bequeathed to MMA)
Artist: Mounted after a design by Reinhold Vasters (German, Erkelenz 1827–1909 Aachen)Date: second half 16th century, mounts 1880–90Medium: Crystal, silver-gilt, enamelAccession: 32.100.243, .244On view in:Not on view
Artist: Frame from a design by Reinhold Vasters (German, Erkelenz 1827–1909 Aachen)Date: 16th century, with 19th century additionsMedium: Gold, enamel, green quartz, rubies, diamonds, pearlsAccession: 41.100.30On view in:Not on view