Jean Antoine Houdon (French, Versailles 1741–1828 Paris)
Overall: 47 x 43 x 28 in. (119.4 x 109.2 x 71.1 cm)
Bequest of Benjamin Altman, 1913
On view at The Met Fifth Avenue in Gallery 548
This sculpture is the sole remnant of an extraordinary fountain group acquired by Louis Philippe Joseph d'Orléans, duc de Chartres (the future duc d'Orléans), for his romantic "English" garden on the outskirts of Paris at Monceau (now the Parc Monceau). As described by a contemporary, the fountain consisted of a white marble basin, in the center of which was a woman bathing, in white marble, and behind her, in lead, a black servant woman pouring water over her mistress from a gilded ewer (see 32.100.159) Sadly, the group barely survived its owner's demise (the duke was guillotined in 1793) as the fountain was heavily vandalized during the Revolution.
Houdon originally proposed the group as an acquisition for the crown, which declined to underwrite the expensive project. Its ultimate sponsor, the exceedingly wealthy and politically liberal duke, who would later acquire Houdon's bronze "Frileuse" (62.55), may have been attracted by the cool and unselfconscious naturalism of the bathing woman's pose, or by the unprecedented sculptural portrayal of the black servant. At any rate, the contrast between the two figures, and the use of different materials to distinguish them, must have made an extraordinary impression on all who saw the group.
Our solitary figure has been heavily eroded through exposure to the elements as well as human vandalism; restorations include the filling of bullet holes, replacement of limbs, and the addition of romantic ivy-covered stonework behind the elegantly classical draped seat. Nonetheless, the charm and freshness of the original concept is still apparent.
Signature: On front of rock: Houdon/ F. 1782
Louis Philippe Joseph, duc d'Orléans , Château de Monceau, Paris (1783–at least 1787) (in 1781; described by Houdon as part of group for the garden of Monceaux de M. le Duc de Chartres); (in 1783; exhibited at Salon); (in 1787, described by Paul Henri Thiery, Baron d'Holbach as on the grounds of Monceau); Richard Seymour-Conway, 4th Marquess of Hertford , Bagatelle, Paris (from ca. 1835) (1835 is the date Lord Hertford acquired the Bagatelle); Sir Richard Wallace , Bagatelle, Paris ; Sir John Edward Murray Scott, Bt. , Bagatelle, Paris (until 1904; sold to Duveen) (until 1904; sold to Duveen); [ Duveen Brothers , 1904–1910; sold to Benjamin Altman between 1910 and 1911 ] ; Benjamin Altman , New York (1910/11–13; bequeathed to MMA)
Artist: After a model by Jean Antoine Houdon (French, Versailles 1741–1828 Paris)Date: late 18th century, after model of 1778Medium: Painted plaster; painted and gilded woodAccession: 08.89.2a, bOn view in:Not on view
Artist: After a model by Jean Antoine Houdon (French, Versailles 1741–1828 Paris)Date: 19th–early 20th century, cast after a model of 1788Medium: Bronze, dark brown patinaAccession: 08.165On view in:Not on view
Artist: After a model by Jean Antoine Houdon (French, Versailles 1741–1828 Paris)Date: late 18th century, after model of 1778Medium: Painted plaster; painted and gilded woodAccession: 08.89.1a, bOn view in:Not on view