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Bust of an African boy

late 16th century
Not on view
The Italian Renaissance brought with it a wholehearted embrace of classical antiquity throughout the fifteenth and sixteenth centuries. Emulation of ancient cameos played a large part. Carvers invested ancient myths with increasingly refined compositions and techniques, paying close attention to the latest archaeological discoveries. Demand for Italian carvers took them to all the courts of Europe. Milan in particular developed a taste for cameos with wondrous atmospheric effects.

Artwork Details

Object Information
  • Title: Bust of an African boy
  • Date: late 16th century
  • Culture: Italian, probably Venice
  • Medium: Sardonyx and gold
  • Dimensions: Overall: 5/8 x 7/16in. (1.6 x 1.1cm); visible cameo: 15.8 x 13.2 mm
  • Classification: Lapidary Work-Gems
  • Credit Line: The Milton Weil Collection, 1938
  • Object Number: 38.150.27
  • Curatorial Department: European Sculpture and Decorative Arts
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Virgin and Child with Saint John the Baptist in front of a townscape, Sardonyx and gold, Italian, Milan
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ca. 1520–30
Glaive of the Rota Family, Steel, gold, wood, Italian, Venice
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ca. 1600

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