Charles Le Bastier (French, apprenticed 1738, master 1754, active 1783)
1 5/16 x 2 3/4 x 2 in. (3.3 x 7 x 5.1cm)
Metalwork-Gold and Platinum
Bequest of Catherine D. Wentworth, 1948
Not on view
In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Inscription: Engraved on insetting rim, in script: Garand Paris
Marking:  crowned fleur-de-lis, two grains de remède, C L B, device a rose (maker's mark);  a harrow (Paris charge mark for gold, 1756-62);  crowned italic v (Paris warden's mark for gold, 1760-61);  a shell (Paris discharge mark for gold and small silver, 1756-62);  eagle's head, double outline (Paris mark for gold, restricted warranty, 1847 to present time);  806 or 908 (unidentified).
Location of marks: , , and  inside cover, base and wall of box ,  and  outside on rim of box;  struck twice
Possibly Baron Erich von Goldschmidt-Rothschild (until 1931; sale, Herman Ball-Paul Graupe Galleries, Berlin, March 16–21, 1931, no. 302); Catherine D. Wentworth (until 1948; to MMA)