Art/ Collection/ Art Object

Chimneypiece (cheminée)

Artist:
After a design by Jean Le Pautre (French, Paris 1618–1682 Paris)
Date:
ca. 1670
Culture:
French, Chérac
Medium:
Limestone
Dimensions:
158 x 98 in. (401.3 x 248.9 cm.)
Classification:
Sculpture-Architectural
Credit Line:
Gift of The Hearst Foundation, 1956
Accession Number:
56.234.34
On view at The Met Fifth Avenue in Gallery 531
This monumental chimneypiece with its high opening and elaborately carved hood bears analogies to the work of the designer and engraver Jean Le Pautre (1618–1682). A prolific and versatile artist who worked for the Crown, Le Pautre created many designs in a bold sculptural manner, their subjects ranging from architectural elements such as ceilings and friezes to garden vases and trophies. Through his engraved work, he is credited with the dissemination of the Louis XIV style. One plate from his series entitled Cheminées à la Romaine (see 33.84(1)) shows the basic design for the Museum’s chimneypiece, which originated at the Château du Chay in Chérac, in the department of Charente-Maritime, on the French west coast. Closely related to Le Pautre’s engraving are the youthful satyr figures above the hearth opening and the seated boys with olive branches who flank the central medallion. The identity of the helmeted young man in the medallion has not yet been established. Could he have been a member of the De Ferray du Chay family, who owned the castle during the seventeenth century, or is the image merely a classicizing bust? It has been suggested that the features bear a certain resemblance to those of the young Louis XIV — which would explain the crown-bearing putto flying above.

Whatever the case may be, this chimneypiece, probably executed by a local master, illustrates beautifully how Le Pautre’s designs served as a source of inspiration for artists working far away from the French court.

[Daniëlle Kisluk-Grosheide, 2010]
Related Objects

Oeuvres. Vol. I

Artist: Jean Le Pautre (French, Paris 1618–1682 Paris) Date: 17th century Medium: Etching Accession: 33.84(1) On view in:Not on view

The Fête of 1664, The Pleasures of the Enchanted Isle, Third Day: Destruction of the Palace of Alcina

Artist: Jean Le Pautre (French, Paris 1618–1682 Paris) Date: 17th century Medium: etching and engraving; second state of three (Préaud) Accession: 2000.141 On view in:Not on view

Aeneas's Farewell to Dido

Artist: Jean Le Pautre (French, Paris 1618–1682 Paris) Medium: Pen and black ink Accession: 63.564.2 (1) On view in:Not on view

Aeneas's Farewell to Dido

Artist: Jean Le Pautre (French, Paris 1618–1682 Paris) Medium: Etching Accession: 63.564.2 (2) On view in:Not on view

Entry of Louis XIV and Marie-Thérèse of Spain into Paris, August 29, 1660

Artist: Jean Le Pautre (French, Paris 1618–1682 Paris) Date: 1662 Medium: Etching and engraving Accession: 30.70.10 On view in:Not on view