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Bacanal: fauno importunado por niños

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
Prodigio de habilidad asombrosa, Gian Lorenzo Bernini fue aprendiz de su padre Pietro, artista de múltiples talentos. Durante el periodo de aprendizaje, padre e hijo colaboraron en numerosas esculturas en mármol que hacen patentes las aspiraciones y la maestría del hijo. El grupo escultórico del Museo, la más ambiciosa de esas obras, muestra el afán del joven artista por representar grupos de figuras entrelazadas con gran variedad de texturas. Buen testimonio de ello es la tensión muscular del fauno, su boca desdentada, los niños regordetes, la corteza del árbol y los racimos de frutas jugosas. Inspirada en sarcófagos antiguos, esta escena báquica presenta la fusión de clasicismo y naturalismo característica del arte romano en el umbral del barroco.

Artwork Details

Object Information
  • Título: Bacanal: fauno importunado por niños
  • Artista: Gian Lorenzo Bernini, italiano, 1598–1680 y Pietro Bernini, italiano, 1562–1629
  • Fecha: ca. 1616
  • Material: Mármol
  • Dimensiones: a. 132,4 cm
  • Crédito: Compra, donación de The Annenberg Fund Inc., Fondos Fletcher, Rogers y Louis V. Bell, y donación de J. Pierpont Morgan, por intercambio, 1976
  • Número de inventario: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Solo disponible en: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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