Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Oak and pine veneered with tulipwood, sycamore, holly, boxwood and ebony; Carrara marble; gilt-bronze mounts; accessories of Sèvres porcelain, rock crystal, silver gilt, and lacquer
Overall (Table): H. 29 × W. 27 3/4 × D. 16 3/8 in. (73.7 × 70.5 × 41.6 cm);
Overall (Bed table): H. 9 1/4 × W. 26 7/8 × D. 15 1/2 in. (23.5 × 68.3 × 39.4 cm)
Gift of Mr. and Mrs. Charles Wrightsman, 1976
On view at The Met Fifth Avenue in Gallery 523
The principal occupation indeed of a French Lady is her Toilet. — Elizabeth Seymour Percy, Duchess of Northumberland, diary entry for June 9, 1770
The daily ritual of dressing and grooming was taken very seriously in France, and it was not unusual for an aristocratic lady to receive visitors, who could even be called upon to assist her. Special pieces of furniture were designed for the toilette, such as this elegant marquetry table signed by Martin Carlin, which is more versatile than most dressing tables. The upper section can be removed to serve as a bed table, as it has its own short legs. It is fitted with an adjustable mirror that can be reversed to form a book rest. A shallow drawer is provided in front, and the lidded compartments on either side are used for the storage of toilet articles. The lower section is a fullsize table with a marble top, pull-out shelves in front and back, and drawers on both ends holding equipment for dressing, breakfasting, and writing. A trelliswork pattern enclosing rosettes, which may have been based on designs seen in Japanese lacquerwork, embellishes the exterior of this multipurpose piece, which is further enriched with gilt-bronze mounts.
Most dressing tables do not have as many fittings as the Museum's piece (not all of which are original), and for that reason it has been suggested that it was intended for use while traveling. However, the spindly legs are not provided with a threaded rod for detachment, meaning that the dressing table would have had to be transported intact. This makes it highly unlikely that the piece was meant to be taken on journeys, as it would not only prove cumbersome in the extreme but liable to damage en route.
The table is a typical product of a marchand-mercier, who would have bought or ordered the various rockcrystal, Sevres porcelain, and silver accoutrements and engaged a cabinetmaker to create the wooden frame. Martin Carlin, a German-born cabinetmaker who had settled in Paris by 1759, specialized in making expensive and fashionable furniture and often collaborated with the dealers Simon-Philippe Poirier and Dominique Daguerre. A closely related combination table is in The Frick Collection, New York.
Epigraph. Northumberland 1752/74/1926, p. 135.
Signature: Signed by Martin Carlin
Mr. and Mrs. Charles Wrightsman , New York (until 1976; to MMA)
Artist: Attributed to Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)Date: ca. 1781–85Medium: Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.Accession: 1975.1.2026On view in:Gallery 957
Artist: Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)Date: ca. 1776Medium: Oak veneered with tulipwood, holly, and ebony; set with four soft-paste Sévres porcelain plaques; gilt-bronze mounts.Accession: 1975.1.2028On view in:Not on view
Artist: Attributed to Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)Date: ca. 1730–85Medium: Oak veneered with tulipwood and amaranth, the marquetry of tulipwood, boxwood, and sycamore. Legs and hub are of solid amaranth; there is a steel shaft; mounts are of gilt bronze.Accession: 1975.1.2027On view in:Not on view
Artist: Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)Date: ca. 1768Medium: Oak veneered with tulipwood, amaranth, and stained sycamore; mahogany; seventeen soft-paste porcelain plaques; gilt-bronze mounts; velvet (not original)Accession: 58.75.48On view in:Gallery 529
Artist: Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)Date: ca. 1774Medium: Oak veneered with tulipwood, amaranth, and stained sycamore; mahogany; seventeen soft-paste porcelain plaques; gilt-bronze mounts; velvet (not original)Accession: 58.75.49On view in:Gallery 529