Art/ Collection/ Collection/ Art Object
{{img.publicCaption}}

Writing table (table à écrire)

Maker:
Bernard II van Risenburgh (ca. 1696–ca. 1767)
Date:
ca. 1755
Culture:
French, Paris
Medium:
Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet
Dimensions:
H. 30-3/4 x W. 38 x D. 22-5/8 in. (78.1 x 96.5 x 57.5 cm)
Classification:
Woodwork-Furniture
Credit Line:
Gift of Mr. and Mrs. Charles Wrightsman, 1976
Accession Number:
1976.155.100
On view at The Met Fifth Avenue in Gallery 526
Letter writing was a much-practiced activity in eighteenth-century Europe. Horace Walpole, a prolific correspondent himself, reported on September 12, 1775, to his friend Anne Liddell, “There have been known here [in Paris] persons who wrote to one another four times a day; and I was told of one couple, who being always together, and the lover being fond of writing, he placed a screen between them, and then wrote to Madame on t’other side, and flung them over.”[1] In order to accommodate this incessant writing, a variety of tables à écrire, large and small, were created. Often fitted with a leatheror velvet-covered writing surface, and with one or more drawers for the storage of quills and other paraphernalia, these pieces were generally placed in the private rooms of the house. This particularly elegant table is fitted with three pull-out shelves. One at the front encloses a shaped panel of green velvet; two smaller ones at either end, veneered with tulipwood, may have been used for taking dictation. The gilt-bronze gallery emphasizes the serpentine shape of the table’s top and also prevents papers from sliding off.

Known for his stylized floral marquetry of end-cut woods, as seen on the main writing slide, Van Risenburgh rarely relied, as he did here, on colorful inlays of engraved mother-of-pearl and tinted horn. Considered one of the most talented ébénistes active during the reign of Louis XV, Van Risenburgh, who was both the son and father of cabinetmakers of the same name, stamped many of his pieces, including this one, with his initials B.V.R.B.

[1] Walpole 1937–83, vol. 32 (1965), p. 263.
Signature: Stamped beneath back rail of top in center, partially effaced: B.V.R.B.

Marking: Stamped near signature: JME [monogram of jures]
possibly Lord Foley ; Marquis de Juigné ; [ Jacques Seligmann , Paris] ; Henry Walters , New York (to his wife upon his death) ; his wife, Sarah Green Walters (until 1941; sale, Parke-Bernet Galleries, New York, May 3, 1941 , lot 1420); Baron Cassel van Doorn , Englewood, New Jersey (until 1956; sale, Galerie Charpentier, Paris, May 30, 1956, lot 122); Mr. and Mrs. Charles Wrightsman , New York (until 1976; to MMA)
Related Objects

Pair of corner shelves

Artist: Bernard II van Risenburgh (ca. 1696–ca. 1767) Date: ca. 1760 Medium: Oak marquetried with tulipwood and kingwood Accession: 1971.206.19, .20 On view in:Not on view

Corner cabinet (encoignure) (one of a pair)

Artist: Bernard II van Risenburgh (ca. 1696–ca. 1767) Date: ca. 1745–49 Medium: Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top Accession: 1983.185.2a, b On view in:Gallery 525

Chest (chiffonier) (one of a pair)

Artist: Bernard II van Risenburgh (ca. 1696–ca. 1767) Date: ca. 1765 Medium: Tulipwood, purplewood, marble, gilt bronze Accession: 1974.356.210 On view in:Not on view

Slant-top desk (secrétaire en pente)

Artist: Attributed to Bernard II van Risenburgh (ca. 1696–ca. 1767) Date: ca. 1745–49 Medium: Oak veneered with bois satiné and end cut wood, leather, gilt bronze Accession: 2007.90.7 On view in:Not on view

Work and writing table

Artist: Bernard II van Risenburgh (ca. 1696–ca. 1767) Date: ca. 1755–60 Medium: Oak, tulipwood, root-cut kingwood, gilt bronze and silvered metal Accession: 1977.102.7 On view in:Not on view