Purchase, Gift of J. Pierpont Morgan, The Moses Lazarus Collection, Gift of Sarah and Josephine Lazarus, Bequest of Kate Read Blacque, in memory of her husband, Valentine Alexander Blacque, and Bequests of Mary Clark Thompson and Barbara S. Adler, by exchange, 1976
Not on view
The Flemish-born Rysbrack was a dominant force in developing the psychologically penetrating portraiture of Augustan England. A log of his busts, begun by George Vertue in 1732 and continued until 1744, lists a bust of "Dr. Bernard, Bp Rapho," as well as a "Son of Mr. Bernard." The fate of the former bust is not known, but the Museum's bust is securely identifiable with the latter. William Barnard was consecrated bishop of Raphoe in Northern Ireland in 1744, succeeded to the bishopric of Derry in 1746–47, and died in 1768. The names of two sons, both clergymen, are recorded, but that of John Barnard is not. The boy is fashionably outfitted in Hussar costume, but there is a grave and wasted aspect to his intelligent features. Conceivably Rysbrack was asked to perpetuate the memory of a beloved child who died at about the age of eight.
Signature: Signed and dated on back: MI: Rysbrack / Fe:t 1744
Inscription: On back: John Barnerd
[ sale, Hôtel Drouot , Paris, April 6, 1976, hors catalogue; sold to Moatti ] ; [ Alain Moatti , 1976; sold to MMA ]
Artist: John Michael Rysbrack (Flemish, Antwerp 1694–1770 London)Date: 1720–70Medium: Pen and brown ink, brush and brown wash, white heightening on gray paper (once blue).Accession: 2011.570On view in:Not on view