Art/ Collection/ Collection/ Art Object
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Tray with engraved arms of William Burrell (1791–1847)

Maker:
Digby Scott (active 1802– after 1811)
Maker:
Benjamin Smith II (1764–1823)
Date:
1806/7
Culture:
British, London
Medium:
Silver-gilt
Dimensions:
Approx. L. 32 in. (81.3 cm)
Classification:
Metalwork-Silver
Credit Line:
Gift of Audrey Love, in memory of C. Ruxton Love Jr., 1977
Accession Number:
1977.436.3
On view at The Met Fifth Avenue in Gallery 509
This great oval tray is an example of the work done by the partnership of Digby Scott and Benjamin Smith working in Greenwich, on the Thames downriver from London, for the firm Rundell & Bridge. At the time London's most prestigious firm, since 1797 Rundell & Bridge had been personal goldsmith to King George III and also the official ""Jeweller, Gold and Silversmiths to the Crown,"" supplying the official plate ordered by the Lord Chamberlain's office. During their partnership from 1802 to 1807, Scott and Smith worked almost exclusively for Rundell & Bridge and their work demonstrates the highest level of design and craftsmanship required by the firm's numerous, wealthy clientele. The tray, with its robust handles and broad rim of vine leaves and grapes naturalistically represented was part of a dessert service. Baskets and coasters in the same design are known. The fauns who crouch to make the four bracket feet evoke the Greek god of wine, Dionysius, whose followers included the fauns, nature-beings often depicted, as here, as half goat, half-man. The large, boldly engraved coat of arms for a member of the Borrel family and the deeply cut engraved inner border of flowering acanthus scrolls reflect the technique of Walter Jackson (active 1801–34), an independent engraver who worked for Rundell & Bridge from about 1803.
Inscription: Engraved arms of William Burrell

Marking: [1] BS/DS for Benjamin Smith and Digby Scott in partnership (w. 1802–7);
[2] London marks for 1806–7.
Audrey B. Love (until 1977; to MMA)
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