Art/ Collection/ Collection/ Art Object
{{img.publicCaption}}

Benjamin Franklin (1706–1790)

Artist:
Jean Antoine Houdon (French, Versailles 1741–1828 Paris)
Date:
1778
Culture:
French
Medium:
Marble
Dimensions:
weight confirmed: 23 1/8 × 14 1/2 × 11 1/4 in., 87 lb. (58.7 × 36.8 × 28.6 cm, 39.5 kg) Height (without base): 17 1/2 in. (44.5 cm)
Classification:
Sculpture
Credit Line:
Gift of John Bard, 1872
Accession Number:
72.6
Not on view
Houdon's bust of Franklin was the first of his canonical portraits of leading figures in American history, among them Washington, Jefferson, John Paul Jones, the Marquis de Lafayette and Robert Fulton (1989.329). This marble, which follows the format of the original terracotta, captures those aspects of Franklin's somewhat sly persona, which so fascinated French society during his nine years in Paris (1776–85) representing the newly independent United States. His natural unpowdered hair, simple Quaker suits, and benign wit all stood in sharp contrast to the norms of diplomatic circles in which Franklin moved. Franklin's celebrity attracted fashionable hostesses and crowds in the street alike and his image was widely disseminated by the leading artists of the time.

Houdon himself produced numerous examples of his Franklin portrait in various formats and media. This cleanly truncated version, in modern dress, was clearly preferred by contemporary American statesmen and anticipates George Washington's insistence that Houdon's statue of him (1792; State Capitol Building, Richmond) show the American president in modern uniform rather than pseudo antique garb.

It has been much debated whether Franklin actually sat for Houdon or if the sculptor captured his vividly accurate image from mere passing acquaintance. He would have had ample opportunity to observe the American minister at the Masonic lodge of the Nine Sisters to which they, as well as many other artists and patrons in the expatriate community (e.g., Count Stroganov; see Voltaire and Diderot), belonged.
Signature: Engraved on back of tranche: houdon.f./1778
Jean Antoine Houdon ; left by Houdon with Robert Edge Pine ; possibly Pierre Samuel du Pont de Nemours (by 1785 and in 1802) ; possibly Eleuthère Irénée du Pont ; possibly Nicholas Cruger ; or his daughter-in-law, Catharine Church ; her husband, Betram Peter Cruger ; their son, John Church Cruger , New York (by 1836) ; his son and daughter-in-law, Dr. and Mrs. Samuel Bard , New York ; their son, John Bard (until 1872; to MMA)
Related Objects

The Bather

Artist: By or after Jean Antoine Houdon (French, Versailles 1741–1828 Paris) Date: ca. 1780 or 19th–early 20th century Medium: Terracotta Accession: 32.100.159 On view in:Not on view

Seated Voltaire

Artist: Workshop of Jean Antoine Houdon (French, Versailles 1741–1828 Paris) Date: 1778 Medium: Plaster, tinted to imitate terracotta Accession: 52.211 On view in:Not on view

Woman, sometimes identified as the Princesse de Lamballe

Artist: Imitator of Jean Antoine Houdon (French, Versailles 1741–1828 Paris) Date: 19th century Medium: Plaster Accession: 49.7.68 On view in:Not on view

Sabine Houdon (1787–1836)

Artist: Jean Antoine Houdon (French, Versailles 1741–1828 Paris) Date: 1788 Medium: White marble on gray marble socle Accession: 50.145.66 On view in:Gallery 552

Young girl identified as Anne Audéoud of Geneva (1776–1840)

Artist: After a composition by Jean Antoine Houdon (French, Versailles 1741–1828 Paris) Date: first modeled ca. 1779–80 Medium: Plaster Accession: 42.23.2 On view in:Gallery 552