Formerly part of a parade armor, this breastplate is the only signed work of Giovan Paolo Negroli, a cousin of the more famous Filippo. Now bright, the breastplate's surface originally was russet-colored, and the raised and etched areas were gilded. Its color probably was very similar to that of the close helmet exhibited nearby, which is also attributed to Giovan Paolo.
Inscription: Inscribed on a ribbon-scroll on the lower part of the breastplate: $0 PAVLVS DE NEGROLIS ME FECIT.
William H. Riggs, Paris (until 1913; his gift to MMA).
South Kensington Museum. "Special Exhibition of Works of Art of the Medieval, Renaissance and More Recent Periods," June, 1862.
Paris. Palais des Armées de Terre et de Mer. "Exposition Universelle Internationale de 1900," April 14–November 12, 1900.
Detroit. The Detroit Institute of Arts. "Decorative Arts of the Italian Renaissance, 1400–1600," November 18, 1958–January 4, 1959.
Waring, J. B., and J.R. Planché. A Handbook to the Museum of Ornamental Art in the Art Treasures Exhibition. London: Bradbury & Evans, 1857. p.76.
Wyatt, Matthew Digby Sir. "Observations in Metallic Art." Art Treasures of the United Kingdom from the Art Treasures Exhibition, Manchester (1858). p. 44, pl. 16, no. 1.
Robinson, J. C. Notice of the Principal Works of Art in the Collection of Hollingworth Magniac. London: Cundall, Downes & Co., 1862. pp. 38–39, no. 65.
Robinson, J. C., ed. Catalogue of the Special Exhibition of Works of Art of the Mediæval, Renaissance, and More Recent Periods, on Loan at the South Kensington Museum, June 1862. London: South Kensington Museum, 1862. cat. no. 4689.
Lièvre, Edouard. Works of Art in the Collections of England. London: Holloway and Son, 1870. pl. XVI.
Magniac, Hollingworth, and Christie's, London. The Renowned Collection of Works of Art, Chiefly Formed by the Late Hollingwoth Magniac (also Known As the Colworth Collection). London: William Clowes, July 2–4, 1892. no. 1044.
The Magazine of Art. The Magazine of Art 15 (1892). pp. 395–396.
Orville, E. Notice sur les Armes et Armures Anciennes Figurant à l'Exposition Rétrospective Militaire. Paris: Berger-Levrault, 1900. p.25.
Laking, Guy Francis, Sir, Charles Alexander Cosson, and Francis Henry Cripps-Day. A Record of European Armour and Arms Through Seven Centuries. Vol. III. London: G. Bell and Sons, 1920. fig. 1056.
Ivins, William M., Jr. "A Treasury of Design." The Metropolitan Museum of Art Bulletin 22, no. 8 (August 1927). p. 218.
Dean, Bashford, and Robert T. Nichol. Handbook of Arms and Armor, European and Oriental, edited by Stephen V. Grancsay. 4th ed. New York: The Metropolitan Museum of Art, October 1930. p. 131, fig. 82.
Detroit Institute of Arts and Paul L. Grigaut. Decorative Arts of the Italian Renaissance, 1400–1600: [exhibition] the Detroit Institute of Arts, November 18, 1958–January 4, 1959. Detroit: The Detroit Institute of Arts, November 18, 1958–January 4, 1959. p. 12, cat. no. 208.
Thomas, Bruno, and Ortwin Gamber. "L'arte Milanese Dell'armatura." Storia di Milano XI (1958). p. 793.
Aroldi, Aldo M. Armi e Armature Italiane Fino al XVIII Secolo. Milan: Bramante Editrice, 1961. fig. 125.
Boccia, Lionello G., and Eduardo T. Coelho. L'Arte dell'Armatura in Italia. Milan: Bramante Editrice, 1967. pp. 323–324, 333–334, pl. 274.
Boccia, Lionello G., Fabio Rossi, and Marco Morin. Armi e Armature Lombarde. Milano: Electa, 1980. pl. 141.
Boccia, Lionello G., and s.n.??. "Le Armature dei Negroli." IIOIEIN (Poiein), Quaderni di Cultura Artistica (FMR) 6 (1993). pp. 5–26, 82–85, no. 6.
Pyhrr, Stuart W., José-A. Godoy, and Silvio Leydi. Heroic Armor of the Italian Renaissance: Filippo Negroli and His Contemporaries. New York: The Metropolitan Museum of Art, 1998. pp. 226–229, cat. no. 43.
Williams, Alan R. "The Steel of the Negroli." Metropolitan Museum Journal 34 (1999). pp. 113–114, figs. 33–36.
Williams, Alan. The Knight and the Blast Furnace: A History of the Metallurgy of Armour in the Middle Ages & the Early Modern Period. History of Warfare, Vol. 12. Leiden: Brill, 2002. p. 254.