The Garden of False Learning from The Table of Cebes
Design based on a woodcut by David Kandel (German, ca. 1520–ca. 1596)
Wool and silk on canvas
Cross stitch, 48-56 per sq. in., 9 per sq. cm.
Tent stitch, 156-190 per sq. in., 30-36 per sq. cm.
H. 110 1/2 x W. 153 1/8 inches (280.7 x 388.9 cm)
Gift of Constance McCann Betts, Mrs. Winston F.C. Guest, and Frasier W. McCann, 1942
Not on view
This needlepoint hanging depicts a scene from the Tabula Cebetis (The Table of Cebes), a treatise long wrongly believed to have been written by Socrates' disciple Cebes that enjoyed great popularity as a Latin reader in Europe in the sixteenth and seventeenth centuries. The text describes a painting displayed in the Temple of Saturn in Thebes that showed the journey through life and the pathway to true happiness. This hanging depicts the penultimate episode in the journey: the protagonist is beckoned from his path by a woman representing False Learning. Elegant figures in courtly dress are distracted from true wisdom and happiness by dedicating too much energy to the pursuit of knowledge through debate, philosophy, geometry, astrology and alchemy, geography, astronomy, arithmetic, and music.
This hanging is one of a set of three (the others are in the Musée Jacquemart-André, Paris and the Metropolitan Museum). Their design was adapted from a woodcut illustrating The Table of Cebes made by David Kandel of Strasbourg in 1547. Notwithstanding the difference in scale (the woodcut is just over 12 by 15 inches), the designer of the embroidery borrowed the principal figures from the woodcut's central scene, inventively adding a warm palette of greens, reds, and yellows. The whole is enclosed by an imaginative border of cavorting grotesques and includes the coat of arms of the De Fenis de Prade family surrounded by the collar of the Order of Saint Michael (upper left) and a second unidentified armorial enclosed by a widow's cordeliere (upper right). With its monumental scale, this needlework is a rare surviving example of a fashion for embroideries that emulated the scale and appearance of tapestries, their more expensive woven counterparts.
possibly de Fenis de Prade family, Limoges ; Leon Lacroix (until 1928; sold to French and Co.) ; [ French and Co., New York (1928–30; sold to McCann) ] ; Charles E. F. McCann (1930–42) ; Mrs. Constance McCann Betts ; and Mrs. Winston F. C. Guest ; and Frasier W. McCann (in 1942; to MMA)
Artist: Design based on a woodcut by David Kandel (German, ca. 1520–ca. 1596)Date: 1550–80Medium: Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.). Tent stitch, 156-190 per sq. in., 30-36 per sq. cm.Accession: 69.298On view in:Not on view
Artist: Possibly after a design by Charles Le Brun (French, Paris 1619–1690 Paris)Date: ca. 1683Medium: Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.)Accession: 46.43.3On view in:Gallery 531
Artist: Possibly after a design by Charles Le Brun (French, Paris 1619–1690 Paris)Date: ca. 1683Medium: Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.)Accession: 46.43.2On view in:Gallery 531