Satin worked with silk, and metal thread, silk purl, linen, ink and pigment; primarily couching stitches
17.5 x 22 in. (44.5 x 55.9 cm)
Purchase, Mrs. Sid R. Bass Gift, in honor of Mrs. Charles Wrightsman, and Rogers Fund, 1998
Not on view
Rare unfinished pieces of embroidery like this one can reveal much about the process of planning and executing needlework. In this case, the squares and rectangles were intended to be cut out and applied to a wooden box frame to make a small cabinet. The design was drawn on the silk foundation with ink. It is likely that some details were meant to be left unembroidered, as suggested by the painted pale pink cheeks of the woman in the blue dress and her reflection in the mirror she holds. She is a personification of one of the Five Senses (in this case, sight), and she looks at her companion, the personification of smell, who holds a flower. On the left side of the panel appears a scene from the Old Testament tale of Elijah and the Widow of Zarapeth.
Artist: Attributed to Thomas How (British, active 1710–33)Date: ca. 1724–36Medium: Walnut and walnut veneer, parcel-gilt, the seat rails of beech; gilded lead mounts on the knees and front rail; verre églomisé panel mounted on the splat; covered in contemporary tent stitch embroidery on canvas needlework not original to the chairAccession: 64.101.936, .937On view in:Not on view