Art/ Collection/ Art Object

Angeli Laudantes

Designer:
Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) (figures)
Designer:
John Henry Dearle (British, 1860–1932) (background, frame)
Artist:
From a cartoon painted in 1894 by John Henry Dearle (British, 1860–1932)
Manufactory:
Manufactured by Morris & Company
Maker:
Weaving workshop at Merton Abbey Tapestry Works (British, founded 1881)
Maker:
Woven by John Martin (British, active ca. 1884–after 1915) Robert Ellis and Merritt
Patron:
Commissioned by Major Charles Syndey Goldman
Date:
1898
Culture:
British, Merton Abbey
Medium:
Dyed wool and silk on undyed cotton warp (15 warps per inch; 5-6 per cm.)
Dimensions:
Overall (Confirmed): 92 1/2 x 80 in. (235 x 203.2 cm) [PR: 92 1/4; PL: 92 1/2; Top: 79 1/4; Center width: 79 3/4; Bottom: 80"]
Classification:
Textiles-Tapestries
Credit Line:
Rogers Fund, 2008
Accession Number:
2008.8a–c
On view at The Met Fifth Avenue in Gallery 556
This marvelously preserved tapestry representing two angels playing on harps of gold against a rich floral ground is an exemplary demonstration of the character and style of the tapestries made at the Merton Abbey Tapestry Works under the direction of William Morris. Morris founded the workshop at Merton, in Surrey, near London, in1881 as part of his vision to use the integrity of medieval craftsmanship to revitalize the art and design of postindustrial Britain. These angelic figures were first conceived in 1878 for a stained glass window for Salisbury Cathedral by Edward Burne-Jones, Morris's lifelong friend and collaborator. In 1894 the figures and those in another window design provided the inspiration for two new tapestry cartoons painted by John Henry Dearle, the principal weaver and designer at the tapestry works. Dearle enhanced the linear emphasis and patterning of Burne-Jones's figures by placing them on a millefleur ground inspired by medieval tapestries. This tapestry is the second weaving of the design. It was commissioned by Major Charles Sydney Goldman as a stand-alone panel, possibly in anticipation of his impending marriage.
Inscription: In scroll: "angeli laudantes"
Commissioned by Major Charles Syndey Goldman , 1898 ; by descent, Commander Penryn Victor Monck ; by descent, Rory Monck (until 2006; to Bonhams) ; [ sale, Bonhams, Knightsbridge , November 14, 2006, lot 207; sold to Coulborn ] ; [ Thomas Coulborn & Sons (2006–08; sold to MMA) ]
Related Objects

The Passing of Venus

Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) Date: 1898 Medium: Brush, gouache and metallic paint on cardboard Accession: 62.167 On view in:Not on view

The Month of March

Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) Date: ca. 1866 Medium: Graphite on paper Accession: 42.147 On view in:Not on view

Armed Men

Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) Date: 1855–98 Medium: Graphite, heightened with white chalk Accession: 61.4.1 On view in:Not on view

Ascension of Christ (Acts I, 1–9): Study for stained-glass window

Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) Date: ca. 1875–84 Medium: Watercolor and gouache, gold paint, and graphite Accession: 1975.131.199 On view in:Not on view

The Entombment

Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham ) Date: 1879 Medium: Green, blue, brown and touches of reddish gouache, heightened with white gouache on green paper Accession: 63.200.3 On view in:Not on view