The chariot was an important motif in art from the Greek mainland; its frequency on Mycenaean pictorial vases has characterized an entire subgroup. These vases were probably connected with funerary practices, and in some regions they may have served as sarcophagi. The occupants of the chariots may be the deceased, while the ancillary figures may be deities or participants in funerary observances.
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 437, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 164, pl. 4g, Cambridge, Mass.: Harvard University Press.
Slenczka, Eberhard. 1974. Figürlich bemalte mykenische Keramik aus Tiryns, Tiryns : Forschungen und Berichte, Vol. 7. pl. 43.4, Mainz am Rhein: Verlag Philipp von Zabern.
Karageorghis, Vassos, Joan Mertens, and Marice E. Rose. 2000. Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. no. 71, pp. 49–50, New York: The Metropolitan Museum of Art.
Karageorghis, Vassos. 2002. "The Greeks in Cyprus." The Greeks beyond the Aegean : from Marseilles to Bactria : papers presented at an international symposium held at the Onassis Cultural Center, New York, 12th October, 2002, Vassos Karageorghis, ed. pp. 7–8, fig. 1, Nicosia: Kailas Printers and Lithographers Ltd.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 26, pp. 42, 412, 459, New York: The Metropolitan Museum of Art.
Mertens, Joan R. 2010. How to Read Greek Vases. no. 3, pp. 11, 40–43, New York: The Metropolitan Museum of Art.