Nike driving a chariot preceded by Eros with a situla (bucket)
The oinochoai are open at the bottom, indicating that they were made for funerary use. The opening rendered them useless as containers but permitted liquid offerings to flow into the ground.
The Art Gallery of Toronto. 1948. The Classical Contribution to Western Civilization: A Loan Exhibition Organized and Lent by the Metropolitan Museum of Art, New York, to the Art Gallery of Toronto. p. 24, Toronto: Rous & Mann.
Mayo, Margaret Ellen and Kenneth Hamma. 1982. The Art of South Italy: Vases from Magna Graecia no. 78, pp. 80, 188-90, Richmond: Virginia Museum of Fine Arts.
Kossatz-Deissmann, Anneliese, Brigitte Servais-Soyez, Fulvio Canciani, Giovannangelo Camporeale, Hans Peter Isler, Ingrid Krauskopf, Odette Touchefeu-Meynier, Marcel Le Glay, and Dr. Jean-Charles Balty. 1986. Atherion-Eros, Lexicon Iconographicum Mythologiae Classicae, Vol. 3. Eros, no. 403e, Zürich: Artemis Verlag Zurich und Munchen.