This fragment shows Peitho, the personification of persuasion, seated on a high pillar with one hand on a dove and the other holding the edge of her himation (cloak). This scene was part of a decorative relief of Helen being persuaded by Aphrodite to leave her husband and go off to Troy with the Trojan prince Paris. The work was produced for the Roman market. A well-preserved Roman relief in the Archaeological Museum of Naples (Mus. Naz. 6682) shows the entire composition with all the names inscribed.
Richter, Gisela M. A. 1911. "Department of Classical Art: The Accessions of 1910--III. Sculptures, Bronzes, and Terra Cottas." Bulletin of the Metropolitan Museum of Art, 6(4): pp. 92-93, fig. 3.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 109, 247, pl. 87f, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1954. Catalogue of Greek Sculptures. no. 144, p. 81, pl. 105b, Cambridge, Mass.: Harvard University Press.
Kossatz-Deissmann, Anneliese, Brigitte Servais-Soyez, Fulvio Canciani, Giovannangelo Camporeale, Hans Peter Isler, Ingrid Krauskopf, Odette Touchefeu-Meynier, Marcel Le Glay, and Dr. Jean-Charles Balty. 1994. Oidipous-Theseus, Lexicon Iconographicum Mythologiae Classicae, Vol. 7. Peitho, no. 17, Zürich: Artemis Verlag Zurich und Munchen.