The composition on the obverse of the vase masterfully catches the element of pursuit, which is at the heart of the story of Eos, the goddess of dawn, and the schoolboy Tithonos. Eos is so close that she almost touches the youth and their feet overlap, but the artist makes the distance between them eternal. The figure on the reverse has not attracted Eos's interest.
Richter, Gisela M. A. 1913. "Department of Classical Art: The Accessions of 1912, Vases." Bulletin of the Metropolitan Museum of Art, 8 (7): p. 157.
McClees, Helen and Christine Alexander. 1933. The Daily Life of the Greeks and Romans: As Illustrated in the Classical Collections, 5th ed. pp. 76-77, fig. 95, New York: The Metropolitan Museum of Art.
McClees, Helen and Christine Alexander. 1941. The Daily Life of the Greeks and Romans: As Illustrated in the Classical Collections, 5th ed. pp. 76-77, fig. 95, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 99, Cambridge, Mass.: Harvard University Press.
Beazley, John D. 1963. Attic Red-figure Vase-painters, Vols. 1 and 2, 2nd ed. p. 989, no. 23, Oxford: Clarendon Press.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 437, Oxford: Clarendon Press.
Kossatz-Deissmann, Anneliese, Brigitte Servais-Soyez, Fulvio Canciani, Giovannangelo Camporeale, Hans Peter Isler, Ingrid Krauskopf, Odette Touchefeu-Meynier, Marcel Le Glay, and Dr. Jean-Charles Balty. 1986. Atherion-Eros, Lexicon Iconographicum Mythologiae Classicae, Vol. 3. Eos, no. 170, Zürich: Artemis Verlag Zurich und Munchen.