On the body, obverse, prothesis (laying out of the deceased) with mourners; reverse, mourners On the neck, obverse and reverse, mourners On the subsidiary frieze, horsemen
The iconography of this vase is canonical for a loutrophoros. Of interest is the subsidiary frieze of horsemen. Horses play a significant role in funerary iconography, in the form of war chariots, racing chariots, or riders. The reference will be to the status of the deceased, for ownership of a horse in ancient Athens was a mark of wealth and privilege.
Said to be from Athens
Richter, Gisela M. A. 1925. "Black-Figured Vases." Bulletin of the Metropolitan Museum of Art, 20(12): p. 300, fig. 9.
Richter, Gisela M. A. 1927. Handbook of the Classical Collection. pp. 88-89, fig. 56, New York: The Metropolitan Museum of Art.
Winkler, Hannelore. 1999. Lutrophorie: ein Hochzeitskult auf attischen Vasenbilder. p. 206, Freiburg im Breisgau: Hochschul Verlag.