Antoninus Pius was adopted by Hadrian as his successor when he was already fifty-one years old. His portraits thus represent him as a mature man in a sober but refined style that consciously echoes the imperial imagery adopted by Hadrian. At the beginning of his reign in A.D. 138, he had to impel a reluctant Senate to award Hadrian divine honors, and it is probably for this reason that he himself was given the title of Pius. Unlike his two immediate predecessors, Trajan and Hadrian, Antoninus did not embark on any major wars or travel widely through the Empire. Indeed, he was in effect the last emperor to spend most of his reign in the city of Rome itself. Regarded as a just and diligent administrator, Antoninus presided over the Empire at the height of its power—a time that the historian Edward Gibbon later famously referred to as the period when “the condition of the human race was most happy and most prosperous.”
[Until 1933, with Alfredo Barsanti, Rome]; acquired in 1933, purchased from A. Barsanti.
Alexander, Christine. 1934. "A Portrait of Antoninus Pius." Bulletin of the Metropolitan Museum of Art, 29(2): p. 28.
Metropolitan Museum of Art. 1936. A Guide to the Collections, Part 1: Ancient and Oriental Art, 2nd edn. New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1941. Roman Portraits, Vol. 2. New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1948. Roman Portraits, 2nd edn. no. 73, p. v, New York: The Metropolitan Museum of Art.
Thimme, Jürgen. 1976. Kunst und Kultur der Kykladeninseln im 3. Jahrtausend v. Chr.: Ausstellung unter d. Patronat des International Council of Museums ICOM im Karlsruher Schloss vom 25. Juni-10. Oktober 1976. no. 102, pp. 134–35, Karlsruhe: Müller.
McCann, Anna Marguerite. 1978. Roman Sarcophagi in the Metropoltian Museum of Art. pp. 28–29, fig. 22, New York: The Metropolitan Museum of Art.
von Bothmer, Dietrich. 1978. Antichnoe iskusstvo iz muzeia Metropoliten, Soedinennye Shtaty Ameriki: Katalog vystavki. no. 97, Moscow: Sovetskii Khudozhnik.
Metropolitan Museum of Art. 1987. Greece and Rome. no. 102, pp. 134–35, New York: The Metropolitan Museum of Art.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 447, pp. 382, 493, New York: The Metropolitan Museum of Art.
Zanker, Paul. 2016. Roman Portraits: Sculptures in Stone and Bronze in the Collection of the Metropolitan Museum of Art. no. 25, pp. 82–83, New York: The Metropolitan Museum of Art.