Art/ Collection/ Art Object

Burgonet for the Farnese Guard

ca. 1545–47
Steel, gold, copper alloy
H. 7 in. (17.8 cm); W. 8 13/16 in. (22.4 cm); D. 12 3/4 in. (32.4 cm); Wt. 2 lb. 11 oz. (1232 g)
Credit Line:
Rogers Fund, 1904
Accession Number:
On view at The Met Fifth Avenue in Gallery 374
This helmet is one of a series thought to have been made for the guard of Pier Luigi Farnese (1503–1547), who ruled as duke of Parma and Piacenza from 1545 to 1547. The raised fleur-de-lis on either side refers to the Farnese coat of arms (six blue fleurs-de-lis on a gold ground).
Ex. coll.: Maurice de Talleyrand-Périgord, duc de Dino, Paris.
Stuart W. Pyhrr. "European Helmets 1450–1650: Treasures from the Reserve Collection," January 25, 2000–May 13, 2002.

New York. The Metropolitan Museum of Art. "European Helmets 1450–1650: Treasures from the Reserve Collection," January 25, 2000–May 13, 2002.

de Cosson, Charles A. Le Cabinet D'armes De Maurice De Talleyrand-Périgord, Duc De Dino. Paris: E. Rouveyre, October 31, 1901. p. 36, no. B. 33, pl. 9 (ill.; called Florentine, mid-XVI century).

Dean, Bashford. Catalogue of European Arms and Armor. Metropolitan Museum of Art Handbook, Vol. 15. New York: The Metropolitan Museum of Art, 1905. p. 114, fig. 49C.

Hayward, J.F. "Les Collections du Palais de Capodimonte, Naples." Armes Anciennes I, no. 6 (1956). p. 161.

Mann, Sir James. "Text with Historical Notes and Illustrations." In European Arms and Armour. Vol. I. London: Wallace Collection, 1962. p. 115, no. A. 112, pl. 51, 62.

Hayward, John F. "Volume One: Arms and Armour." In The Hever Castle Collection: The Property of The Lord Astor of Hever. Vol. I. London: Sotheby Parke Bernet & Co., May 5, 1983. p. 32, lot 39, ill.

Boccia, Lionello G. "a cura di Lucia Fornari." In I Farnese: Arte e Collezionismo: Palazzo ducale di colorno..., edited by Nicola Spinosa, and Lucia Fornani Schianchi. Milan: Electa, 1995. no. 268 (Farnese burgonet).

Pyhrr, Stuart W. European Helmets, 1450–1650: Treasures from the Reserve Collection. New York: The Metropolitan Museum of Art, 2000. pp. 4, 23, no. 32, ill.

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