A fundamental feature of Greek ceramics and their offshoots is that they could be used. By contrast, this vase, with its lid fixed onto the body, serves a purely symbolic function. It belongs to a class of pieces associated with the site of Centuripe in Sicily. They are characterized by elaborate and delicate applied decoration and by refined polychromy executed after firing. The scene shows a bride surrounded by attendants. The vase was made for the tomb.
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von Bothmer, Dietrich. 1972. "Greek Vase Painting: An Introduction." The Metropolitan Museum of Art Bulletin, 31(1): no. 29, pp. 8, 66, 68.
von Bothmer, Dietrich. 1972. Greek Vase Painting: An Introduction. no. 35, pp. 8, 67, 71, New York: The Metropolitan Museum of Art.
Joly, Elda. 1980. "Teorie vecchie e nuove sulla ceramica policroma." Philias Charin. Miscellanea di Studi Classici in onore di Eugenio Manni. p. 1249, Rome: Giorgio Bretschneider Editore.
Mayo, Margaret Ellen and Kenneth Hamma. 1982. The Art of South Italy: Vases from Magna Graecia no. 143, pp. 254, 282, 283, Richmond: Virginia Museum of Fine Arts.
Kossatz-Deissmann, Anneliese, Brigitte Servais-Soyez, Fulvio Canciani, Giovannangelo Camporeale, Hans Peter Isler, Ingrid Krauskopf, Odette Touchefeu-Meynier, Marcel Le Glay, and Dr. Jean-Charles Balty. 1986. Atherion-Eros, Lexicon Iconographicum Mythologiae Classicae, Vol. 3. Eros, no. 649, Zürich: Artemis Verlag Zurich und Munchen.
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Gazda, Elaine K. 2000. The Villa of the Mysteries in Pompeii: Ancient Ritual, Modern Muse pp. 109-10, 208, fig. 10.8, Ann Arbor: Kelsey Museum of Archaeology.
Lyons, Claire, Michael Bennett, and Clemente Marconi. 2013. Sicily: Art and Invention between Greece and Rome pp. 6-7, fig. 4, Los Angeles: J. Paul Getty Museum.
Stewart, Andrew F. 2014. Art in the Hellenistic World.. pp. 257-58, fig. 154, New York: Cambridge University Press.
Galitz, Kathryn. 2016. The Metropolitan Museum of Art: Masterpiece Paintings. no. 23, p. 29, New York: Skira.