The helmet represents a characteristic form of the late seventh and early sixth century B.C. Unusual, however, is the interior, because it shows three sections that have been joined together--the calotte, the lower wall, and the nose-piece. The projections along the edges are the remains of rivets that would have secured an added material such as bone or ivory.
Vogue Magazine. August 1992. Vogue, : p. 252.
Vogel, Carol. April 4, 1993. "Home Design." New York Times Magazine, : pp. 20-21.
Miller, Judith and Tim Clinch. 1998. Classic Style. p. 113, London: Mitchell Beazley.
Blass, Bill. 2002. Bare Blass, Cathy Horyn, ed. p. 136, New York: HarperCollins.
Hemingway, Seán Dr. 2004. "Recent Acquisitions, A Selection: 2003-2004." The Metropolitan Museum of Art Bulletin, 62(2): p. 7.
Metropolitan Museum of Art. 2004. "One Hundred Thirty-fourth Annual Report of the Trustees for the Fiscal Year July 1, 2003 through June 30, 2004." Annual Report of the Trustees of the Metropolitan Museum of Art, 134: p. 19.