Art/ Collection/ Art Object
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Afghans

Photography Studio:
Hill and Adamson (British, active 1843–1848)
Artist:
David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland)
Artist:
Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland)
Person in Photograph:
Person in photograph Edward William Lane (British, Hereford 1801–1876 Worthing)
Date:
1843
Medium:
Salted paper print from paper negative
Classification:
Photographs
Credit Line:
Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981
Accession Number:
1981.1229.13
Not on view
The photographic collaboration between the painter D. O. Hill and the chemist Robert Adamson was a fruitful blending of the men’s respective talents. Hill’s membership in the Royal Scottish Academy gave the business partners access to a clientele of artists who sought photographic studies of posed models for their paintings. This photograph was likely a commission from the academy’s president Sir William Allan, who had collected exotic costumes and armor while traveling through Russia. During the 1840s Allan exhibited a series of Orientalist paintings depicting Circassians, an ethnic group from the Northern Caucasus. Here subtle shadows obscure the models’ faces, lending an air of mystery and drama to the imposing armor-clad figures.
Robert O. Dougan

The Metropolitan Museum of Art. "Counterparts: Form and Emotion in Photographs," February 26, 1982–May 1, 1982.

Contemporary Arts Center, Cincinnati. "Counterparts: Form and Emotion in Photographs," May 20, 1982–July 2, 1982.

Dallas Museum of Art. "Counterparts: Form and Emotion in Photographs," August 4, 1982–September 13, 1982.

San Francisco Museum of Modern Art. "Counterparts: Form and Emotion in Photographs," November 19, 1982–January 9, 1983.

Corcoran Gallery of Art. "Counterparts: Form and Emotion in Photographs," February 22, 1983–April 18, 1983.

New York. The Metropolitan Museum of Art. "The Camera and the Photograph: Images in Light," November 17, 1984–January 1, 1985.

The Metropolitan Museum of Art, Photographs. "Grand Illusions: Staged Photography from the Collection," August 10, 2015–November 15, 2015.

Stevenson, Sara. David Octavius Hill and Robert Adamson: Catalogue of Their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery. Edinburgh: National Gallery of Scotland, 1981. 27, fig. 28.



The University of Glasgow Library, Special Collections, identifies the sitters in their print (HA0369) as Edward William Lane (1801–1876) and a Mr. Peddie (or Reddie, or Roddie, or Redding).

Lane, an engraver in London, traveled to Alexandria in 1825 for health. He learned Arabic, took to wearing native dress and resided under the name of Mansoor Effendi. See HA157-HA158, HA369, HA528 and HA607-HA608. The newspaper accounts of the fancy dress ball in the Assembly Rooms in Edinburgh in 1843 referred to "Mr Lane, an Affghan" and to "Mr C Reddie [sic] - as an Affghan - chain armour". The setting is the same as HA528 & HA607-HA608.
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