Art/ Collection/ Collection/ Art Object

Nubie. Ibsamboul. Colosse médial (enfoui) du Spéos de Phrè

Artist:
Maxime Du Camp (French, 1822–1894)
Printer:
Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851–55)
Date:
1850
Medium:
Salted paper print (Blanquart-Évrard process) from paper negative
Dimensions:
Image: 20.9 x 16.3 cm (8 1/4 x 6 7/16 in.) Mount: 41.8 x 31 cm (16 7/16 x 12 3/16 in.)
Classification:
Photographs
Credit Line:
Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981
Accession Number:
1981.1229.2
Not on view
Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. A journalist with no experience in photography, Du Camp learned the craft from Gustave Le Gray shortly before his departure for Egypt. By the time he came to Abu Simbel in March 1850 to explore the rock-cut temples built by Ramesses II (r. 1279-1213 B.C.), Du Camp was thoroughly at ease with the medium. Always in search of a neat, documentary clarity, he preferred a frontal view and midday light for this picture of one of the colossal effigies of Ramesses II. Du Camp's album Égypte, Nubie, Palestine et Syrie, in which this image appeared as plate 106, was published in 1852 and contained 125 photographs. It brought its author instant fame.
Inscription: Inscribed in the negative, recto TL: "106"; printed on mount, recto TC: "NUBIE."; printed on mount, recto BL: "Maxime Du Camp."; printed on mount, recto BR: "Guide et Baudry, Editeurs."; printed on mount, recto BC: "IBSAMBOUL. // COLOSSE MÉDIAL DU SPÉOS DE PHRÈ. // Imprimerie Photographique de Blanquard-Evrard, à Lille // P. 106."; printed on tissue overleaf, TC to C: "Planche 106. // NUBIE // IBSAMBOUL // Colosse médial (enfoui) du Spéos de Phrè. // Portrait de Ramsès (Sésotris). // Les cartouches signifient. // SOLEIL DIRECTEUR DE JUSTICE APPROVÉ DU SOLEIL // FILS DU SOLEIL L'AIMÉ D'AMMON RAMSÈS."
Robert O. Dougan

The Metropolitan Museum of Art. "Counterparts: Form and Emotion in Photographs," February 26, 1982–May 1, 1982.

Contemporary Arts Center, Cincinnati. "Counterparts: Form and Emotion in Photographs," May 20, 1982–July 2, 1982.

Dallas Museum of Art. "Counterparts: Form and Emotion in Photographs," August 4, 1982–September 13, 1982.

San Francisco Museum of Modern Art. "Counterparts: Form and Emotion in Photographs," November 19, 1982–January 9, 1983.

Corcoran Gallery of Art. "Counterparts: Form and Emotion in Photographs," February 22, 1983–April 18, 1983.

Undena Publications, ed. The photographic heritage of the Middle East : an exhibition of early photographs of Egypt, Palestine, Syria, Turkey, Greece & Iran, 1849-1893. Malibu, 1981.



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