Whether he trained his camera on exuberant summer scenes on the beaches of Coney Island or the intimate corners of Mulberry Street during the San Gennaro festival, as here, Grossman was one of the greatest chroniclers of working-class life in New York during the late 1930s and 1940s. The tilt of the camera, which pushes most of the figures in this image into the lower right corner, and the frame's abrupt bisection of the two male figures makes the lively atmosphere on the street palpable. But as is typical of Grossman, the viewer is not allowed to enjoy the scene in blissful anonymity. The direct stare of the man on the left makes us an engaged participant in the scene rather than an aloof flâneur, rendering the experience of the picture not just an aesthetic dalliance, but a social activity as well.
Inscription: Inscribed in pencil in unknown hand [Houston MFA hand], on 2nd mount, verso UL: "Mulberry St - 35mm // Roll 33A, neg #33 / Best negs roll 6 // A"; inscribed in pencil on 2nd mount, old tape, verso LR: "SG XVIII"
From the artist's estate to Photofind Gallery
The Metropolitan Museum of Art. "Photographs from the 1940s and 1950s: Selections from the Collection," December 18, 1990–March 17, 1991.
Negative date: September 15-19, 1948, per Anne Tucker.