Art/ Collection/ Collection/ Art Object

Self-portrait

Artist:
Andy Warhol (American, Pittsburgh, Pennsylvania 1928–1987 New York)
Date:
1979
Medium:
Instant color print
Dimensions:
61 x 50.8 cm (24 x 20 in.)
Classification:
Photographs
Credit Line:
Purchase, The Andy Warhol Foundation for the Visual Arts Gift, Joyce and Robert Menschel Gift and Rogers Fund, 1995
Accession Number:
1995.251
Not on view
One of Warhol's most significant creations was his own public persona, which combined an almost pathological need for media exposure with the opaque demeanor of the catatonic. By the end of the 1960s Warhol had embedded his spectral visage and blank gaze in the national consciousness. Simultaneously everywhere and nowhere, ubiquitous and invisible, Warhol's complete negation of the self allowed his work to function as a kind of mirror, reflecting with a hallucinatory clarity the foibles and vanities of our time.


Much of Warhol's work can be read as a meditation on the transience of life, from his iconic portrayals of a stoically suffering Jacqueline Kennedy to his paintings of skulls from the mid-1970s. Eyes closed and with an unearthly pallor, the artist appears in this late self-portrait as the martyred saint, suspended between the agonies of the flesh and the blinding white light of the afterlife. Stripped of the guises and camouflage that characterize many of his other self-portraits, this riveting picture is idiosyncratic in its candor and directness; strangely, it seems both to refer back to the attempt made on his life in 1968 and to chillingly prefigure his untimely death in 1987.

The Andy Warhol Foundation, New York

The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 11," November 13, 1995–March 11, 1996.

The Metropolitan Museum of Art. "Photographs: A Decade of Collecting," June 5, 2001–September 4, 2001.

The Metropolitan Museum of Art. "Modern Photographs from the Collection XIV," May 15, 2007–September 30, 2007.

The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012. p. 447.



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