Steichen made this self-portrait in Milwaukee, shortly before leaving for Europe to seek his fortune as a "painter-photographer." En route to Paris, he stopped by the New York Camera Club to show his work to Alfred Stieglitz, the reigning dean of art photography. That day, Stieglitz bought this photograph, along with two other platinum prints, for five dollars apiece, telling his young visitor, "I am robbing you at that."
In this eccentric self-portrait of the artist as a young dandy, Steichen seems poised at a threshhold, hovering half-in and half-out of the frame. Much like Whistler, Steichen used the portrait as a vehicle for exploring abstract elements of design, cleverly punctuating the white wall behind him with a tiny empty picture frame.
The Metropolitan Museum of Art. "Paul Strand and His Contemporaries," February 10, 1998–May 31, 1998.
Whitney Museum of American Art. "Edward Steichen," October 5, 2000–February 4, 2001.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 50," January 6, 2009–May 3, 2009.
The Metropolitan Museum of Art. "Stieglitz, Steichen, Strand," November 8, 2010–April 10, 2011.
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. Studio Book. 1st ed. New York: The Metropolitan Museum of Art, 1978. no. 450.
Smith, Joel. Edward Steichen: The Early Years. Princeton: The Metropolitan Museum of Art, 1999. frontispiece.
Goodyear, Frank Henry III. Zaida Ben-Yusuf: New York Portrait Photographer. New York: National Portrait Gallery, Smithsonian Institution, 2008. p. 31.
Orenstein, Nadine M., Jeff L. Rosenheim, and Stephen C. Pinson. The Metropolitan Museum of Art Bulletin: A Centennial Album: Drawings, Prints, and Photographs 74, no. 3 (Winter 2017). p. 19.