Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts)
Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford Notch, New Hampshire)
14.0 x 10.8 cm (5 1/2 x 4 1/4 in.)
Gift of I. N. Phelps Stokes, Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, 1937
Not on view
Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes; [Holman's Print Shop, Boston]; I.N. Phelps Stokes, New York, 1937
The Metropolitan Museum of Art. "The Hawes-Stokes Collection of American Daguerreotypes by Albert Sands Southworth and Josiah Johnson Hawes," November 4, 1939–December 7, 1939.
Stokes, Isaac Newton Phelps. The Hawes-Stokes Collection of American Daguerreotypesby Albert Sands Southworth and Josiah Johnson Hawes. New York: The Metropolitan Museum of Art, 1939. fig. 11.
Moore, Charles LeRoy. "Two Partners in Boston: The Careers and Daguerreian Artistry of Albert Southworth and Josiah Hawes." Master's thesis, University of Michigan, 1975. no. 5.
A wood cut after this dagurreotype was published in "Ballou's Pictorial Drawing -Room Companion 12 (March 21, 1857), p.300
Biography: Actor and dramatist John Howard Payne (1791-1852) was born in New York City. A child prodigy, Payne was writing theatrical criticism and plays by the age of twelve. In 1809, he made his acting debut on the New York stage and in 1813, sailed to Europe, where he would remain for twenty years, one of the first American theatrical figures to attract attention in England. He returned to the US in 1832. Travels through the Southeast brought him into contact with the Cherokee Indians, and he became a passionate opponent of their forced removal; he later compiled a fourteen-volume history of the Cherokee Nation. He twice served as US consul to Tunis (1842-47, 1851-52), where he died in April 1852. He is best remembered today for composing the song "Home Sweet Home," from his opera Clari, the Maid of Milan.