17.6 × 22.7 cm (6 15/16 × 8 15/16 in.)
Sheet: 17.9 × 22.8 cm (17.9 × 22.8 cm)
Gilman Collection, Purchase, Ann Tenenbaum and Thomas H. Lee Gift, 2005
Not on view
Atget's interest in the texture of old Paris-in the animate, intimate air of places much lived in-ran counter to the prevailing popular taste for the Eiffel Tower, the Opéra, and other famous monuments and promenades. Characteristically, he never photographed the Champs-Élysées, though he did make one exposure on the avenue that extends it beyond the Arc de Triomphe, the Avenue de la Grande-Armée. Here, selecting an empty café bathed in early morning light and poised in readiness for the day's clientele, he managed to suggest the habits of the habitués, in absentia.
Inscription: Inscribed in pencil in Atget's hand on print, verso TC to TR: "Café- avenue G de // Armée // Boutiques"; stamped in black ink on print, verso C: "E. ATGET // Rue Campagne-Première, 17 bis"; inscribed in pencil on print, verso BR: "17 bis."
Eugène Atget; Berenice Abbott; [Paul Katz, North Bennington, VT]; Gilman Paper Company Collection, New York, February 9, 1981
The Metropolitan Museum of Art. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25, 1993–July 4, 1993.
Edinburgh International Festival, Edinburgh, Scotland. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," August 7, 1993–October 2, 1993.
National Gallery of Art, Washington D.C. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," June 19, 1994–September 11, 1994.
The Metropolitan Museum of Art, Jeff L. Rosenheim. "Paris as Muse: Photography, 1840s – 1930s," January 27, 2014–May 4, 2014.
Abbott, Berenice. Eugène Atget / Berenice Abbottovà. Prague: Státní nakl. krásné literatury, hudby a umení, 1963. p. 43.
Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Virginia Heckert, and Jeff L. Rosenheim. The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993. no. 169.
Arena Editions, ed. Berenice Abbott, Eugene Atget. Santa Fe, 2002. no. pl. 35.