Art/ Collection/ Art Object
{{img.publicCaption}}

Untitled (Zig-Zag Mirror Displacement)

Artist:
Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas)
Date:
1969
Medium:
Chromogenic transparencies
Dimensions:
Film format: 35mm Frame: 26 × 26 in. (66 × 66 cm), each
Classifications:
Transparencies, Photographs
Credit Line:
Purchase, Pat and John Rosenwald Gift, 2001
Accession Number:
2001.274a, b
Not on view
Best known for his landmark Spiral Jetty (1970)-a 1,500-foot sculpture of mud, salt crystals, and rock coiling over ten acres of the Great Salt Lake, Utah-Smithson was among the artists of the 1960s who liberated sculpture from the gallery and museum, moved it outdoors, and made it inextricable from its site. These "Earthwork" artists, fascinated by process and gesture, installed their works in ravaged industrial sites and far flung corners of the world, creating pieces that were antimonumental or deliberately ephemeral and largely dependent upon photography as witness to their existence.
For his seminal 1969 series Mirror Displacements, Smithson placed temporary groupings of mirrors half-embedded in earth so they would reflect the surrounding landscape. Probably made in Wales, this diptych shows the artist's accordion-folded mirror coursing its way through a landscape of jagged rocks like a hidden snake, so that "as one looked, more and more possibilities emerged because nothing was certain . . . scraps of sight accumulated until the eyes were engulfed by scrambled reflections."
Inscription: 2001.274a inscribed in pencil in an unknown hand on mount, above and beneath image: "Untitled [underlined] (Zigzag // Mirror Displacement)", "Site Unknown 1969" and imprinted with date and frame number in red ink on mount, upside down beneath image: "OCT 69 N11", "7"; 2001.274b numbered in pencil in an unknown hand on mount: "3" and imprinted in red ink on mount, upside down beneath image: "OCT 69 N11", "5"
The estate of Robert Smithson [James Cohan Gallery, New York]

The Metropolitan Museum of Art. "Modern Photographs from the Collection VII," July 15, 2003–December 14, 2003.

The Metropolitan Museum of Art. "Land Marks," April 30, 2013–August 25, 2013.

Smithson created these slides in 1969, intending the images be projected or displayed as prints.
Related Objects

Torn Photograph from the Second Stop (Rubble) (Second Mountain of Six Stops on a Section)

Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1970 Medium: Lithograph Accession: 1995.473 On view in:Not on view

Proposal for a Monument at Antarctica

Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1966 Medium: Photostat Accession: 2001.292 On view in:Not on view

Island of Coal

Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1969 Medium: Gelatin silver print Accession: 2001.273 On view in:Not on view

Bingham Copper Mining Pit—Utah / Reclamation Project

Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1973 Medium: Photostat and plastic overlay with wax pencil Accession: 2001.293 On view in:Not on view

For Bern Snow—Mirror Displacements for the Alps

Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1969 Medium: Gelatin silver print Accession: 2001.275a–d On view in:Not on view