Art/ Collection/ Collection/ Art Object

[Angel of the Passion, Sainte-Chapelle, Paris]

Artist:
Auguste Mestral (French, Rans 1812–1884 Rans)
Former Attribution:
Charles Marville (French, Paris 1813–1879 Paris)
Date:
1852–53
Medium:
Salted paper print from paper negative
Dimensions:
32.9 x 20.3 cm (12 15/16 x 8 in.)
Classification:
Photographs
Credit Line:
Gilman Collection, Purchase, The Howard Gilman Foundation Gift, 2002
Accession Number:
2002.9
Not on view
Serendipity occasionally aids the muses, as here, where a worker's fatigue, a gentle breeze, and a bit of sunshine have helped one of the medium's early masters achieve something far beyond his original intention. Mestral was commissioned by the sculptor Adolphe-Victor Geoffroy Dechaume to document one of his angels of the passion before it was lifted to a high and inaccessible perch at the base of the flèche of the Sainte-Chapelle. Working at the restoration site, the photographer strung up a white canvas to provide a neutral background for the sculpture; however, during the long exposure (perhaps ten or fifteen minutes) that drapery blew in the breeze, softening its edges and folds in a blur of light. As a result, one has the sense that the sculpted angel has come to life and descended a beam of light to appear to the sleeping workman in a dream—like the angel appearing to Jacob—while his companion remains oblivious to the vision taking place a few feet away.
Inscription: Inscribed in pencil on verso, TRC: "134 [encircled]"
Adolphe-Victor Geoffroy Dechaume (sculptor, 1816-1892); his descendents; Alain Paviot

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