Art/ Collection/ Art Object

Plank Headdress: Water Spirit

Date:
19th century
Geography:
Nigeria, Niger Delta region
Culture:
Ijo peoples
Medium:
Wood, cartridge shells
Dimensions:
H. 8 1/4 x W. 6 1/8 x D. 35 3/16 in. (21 x 15.5 x 89.5 cm)
Classification:
Wood-Sculpture
Credit Line:
The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1967
Accession Number:
1978.412.559
On view at The Met Fifth Avenue in Gallery 352
Water deities are perceived to be the forces ultimately responsible for individual acquisition of wealth and power. Among the Kalabari, an Ijo subgroup that occupies the eastern part of the delta, one of the most important village institutions is the Ekine society, an association devoted to the dancing of masquerades representing water spirits. It is claimed that these performances imitate dances of the water spirits themselves, and the masks sometimes exit or enter from the water. Often the masquerade headpieces are designed so that the principal features face the sky and are visible to spectators only when the dancer bends forward.

This water spirit headdress is used in the masquerades of the Ekine men's society (also Sekiapu). The headdresses worn in such performances blend the features of humans and aquatic animals (such as the hippopotamus) or fish. Although they are worn with a cloth and palm costume that covers the entire body, the headdress is the key element which is conceived of as the seat of the masquerade spirit's "owner." Ekine performances constitute a highly appreciated form of entertainment and invoke local water spirits for assistance and guidance. Skilled performers gain status in the community and are also the arbitrators of personal disputes.
[W. D. Webster, London]; Augustus Lane-Fox Pitt-Rivers, Farnham, Dorset, U.K., until ca. 1890; [John J. Klejman, New York, until 1967]; The Museum of Primitive Art, New York, 1967–1978

The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 392.



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