Art/ Collection/ Art Object

Suspension Hook (Samban or Tshambwan)

Date:
late 19th–early 20th century
Geography:
Papua New Guinea, Mindimbit or Angriman village (?), Middle Sepik River
Culture:
Iatmul people
Medium:
Wood, paint, fiber
Dimensions:
H. 16 1/2 x W. 23 7/8 x D. 3 3/8 in. (41.9 x 60.6 x 8.6 cm)
Classification:
Wood-Sculpture
Credit Line:
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1972
Accession Number:
1978.412.740
On view at The Met Fifth Avenue in Gallery 354
Iatmul suspension hooks have both utilitarian and ceremonial functions. Suspended from the rafters by a cord, they are used to safeguard food, clothing, and other items, which are placed in baskets or string bags and hung from the hook-shaped prongs at the base to keep them out of reach of vermin. Most hooks are adorned with representations of ancestral spirits and totemic animals associated with the owner’s clan. In the past, some suspension hooks, especially those representing waken, the most powerful Iatmul supernatural beings, served as sacred images through which the supernatural beings they depicted could be consulted. Before embarking on a raid or hunting expedition, men gathered within the ceremonial house to consult the waken through the hook bearing its image. Offerings of chickens, betel nut, or other items were hung from the hook and then consumed by a human “attendant,” who went into a trance during which the waken spoke through him, providing advice. Primarily functional, household suspension hooks were also used to contact spirits about more minor matters.
Father Franz J. Kirschbaum Collection, Lateran Museum, Rome; [Werner Muensterberger, New York and London, until 1960]; Nelson A. Rockefeller, New York, 1960,on loan to The Museum of Primitive Art, New York, 1960–1972; The Museum of Primitive Art, New York, 1972–1978

The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 172.



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