Striated face masks known as kifwebe was historically created by sculptors in an area of the Zaire River Basin inhabited by both Songye and Luba communities. Significant departures in the role and formal interpretation of this sculptural genre subsequently developed in each culture. In both instances, Kifwebe masks participated in initiations and played a role in establishing order in society. Round striated Luba kifwebe function within benevolent practices that purify the community of the evil spirits of sorcerers. In performance, this mask was complemented by a costume ensemble comprising woven textiles, animal pelts, and plant fibers, which covered the dancer’s body.
Dr. Charles Stéphen-Chauvet, Brussels, Belgium, until (d.) 1950; [Antony Moris, Paris (?)];[John J. Klejman, New York, until 1953]; Nelson A. Rockefeller, New York, 1953, onloan to The Museum of Primitive Art, New York, 1956–1978
Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no.426.