Art/ Collection/ Collection/ Art Object

Figure Pendant

Date:
13th–14th century
Geography:
Mexico, Mesoamerica
Culture:
Mixtec
Medium:
Greenstone
Dimensions:
H. 2 1/2 x W. 2 1/8 x D. 1 1/4 in. (6.4 x 5.4 x 3.2 cm)
Classification:
Stone-Ornaments
Credit Line:
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number:
1979.206.1035
On view at The Met Fifth Avenue in Gallery 358
This small, globular pendant depicts a male figure wearing a folded paper headdress studded with three round jewels. On his face is an elaborate mask featuring a toothy grimace with exposed fangs and large, glaring eyes. His twisting, heliacal nose resembles a serpent’s body, with each end unraveling to form a pair of arched eyebrows. A similar motif decorates a ceramic vessel of Tlaloc, the rain god, interred long ago by the Aztecs in the Great Temple at Tenochtitlan (modern-day Mexico City). Whether in the form of nosepieces, crowns, or elaborate turquoise pectorals, two-headed serpents are abundant in Mesoamerican art and are commonly allied with concepts of water, fertility, and an aquatic afterlife.

Like the Mixtec serpent pendant [1978.412.117], this miniature figure is made of greenstone and perforated for suspension. Carved on a diminutive scale, the shape of the figure’s body is conveyed with only a few brief incisions, thereby reducing it to the fewest details needed in order to identify it as a water deity. Additionally, the green hue of the stone was itself symbolic of water, feathers, fecundity, and all things precious.

William T. Gassaway, 2014–15 Sylvan C. Coleman and Pamela Coleman Fellow
[John J. Klejman, New York, until 1962]; Nelson A. Rockefeller, New York, 1962, on loan to The Museum of Primitive Art, New York, 1962–1978

Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, 598.



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