Although most Polynesian peoples appear to have made and used human images, few such objects have survived to the present day. Most were destroyed under the influence of Christian missionaries, who viewed such sculptures as "graven images." Small female figures in ivory were known from the Tongan archipelago as early as the late eighteenth century. Formerly referred to as goddesses, these figures are now thought to represent important female ancestors. A number of Tongan ivories were traded to the neighboring Fiji islands, where they were used during religious rites. This particularly expressive example was collected on the Fijian island of Viti Levu by the Reverend Cyril G. Hawdon in 1868.
Collected by Cyril G. Hawdon, Viti Levu, Fiji, in 1868; [John J. Klejman, New York, until 1957]; Nelson A. Rockefeller, New York, 1957, on loan to The Museum of Primitive Art, New York, 1957–1978
Wardwell, Allen. The Sculpture of Polynesia. Chicago: Art Institute of Chicago, 1967, no. 12, p. 18.
The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 24.
Barrow, Terence. Art and Life in Polynesia. Rutland, VT: C.E. Tuttle, 1972, p. 70.
The American Federation of Arts. Primitive Art Masterworks: an exhibition jointly organized by the Museum of Primitive Art and the American Federation of Arts, New York. New York: The American Federation of Arts, 1974, no.106.
Newton, Douglas. Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection. New York: Alfred A. Knopf, 1978, p. 106.
Kjellgren, Eric. "The Pacific Resurfaces: New Galleries for Oceanic Art at the Metropolitan Museum of Art." Tribal Art (Winter 2007–2008), p. 103, 9.
Kjellgren, Eric. Oceania: Art of the Pacific Islands in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2007, 172, 287-8.
Kjellgren, Eric. How to Read Oceanic Art. How to Read 3. New York: The Metropolitan Museum of Art, 2014, pp. 147–49.