Art/ Collection/ Collection/ Art Object

Man's Sash (Tor)

Date:
late 19th–early 20th century
Geography:
Federated States of Micronesia, Caroline Islands, Pohnpei
Culture:
Caroline Islands, Pohnpei
Medium:
Bana fiber, trade yarn
Dimensions:
L: 72 7/8 in. (185.1 cm)
Classification:
Basketry-Costumes
Credit Line:
Purchase, Caroline H. Newhouse Foundation Inc. Gift, 1982
Accession Number:
1982.351
Not on view
Said to have been given to humanity by divine beings, the art of loom weaving is highly developed among the women of the Caroline Islands, who employ a simple backstrap loom to create textiles of consummate aesthetic sophistication. The loom initially was introduced to the islands from the great weaving center of the Pacific, Island Southeast Asia, probably by Carolinian voyagers, who, in their far-ranging ocean journeys, reached the islands of eastern Indonesia. Among the most complex and colorful of Carolinian weavings are the large men's sashes formerly produced on the islands of Pohnpei and Kosrae in the eastern Caroline Islands.

The present work is from Pohnpei, where the sashes were known as tor. Reserved exclusively for high-ranking men, tor were ceremonial regalia, worn as belts over grass skirts during dances and feasts. The sashes were woven from fiber obtained from the tough, stringy trunks of banana trees, either left in its natural light tan color or tinted red, black, or light purple with vegetable or mineral dyes. Adorned with intricate geometric motifs, the ornamentation of the sashes varied greatly and the right to use some patterns and colors belonged exclusively to particular families. In the late nineteenth and early twentieth century, weavers frequently, as here, embellished the indigenous banana fiber by interweaving it with red yarn obtained from European traders.
Hurst and Hurst, Cambridge, MA, until 1982

Kjellgren, Eric. Oceania: Art of the Pacific Islands in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2007, 162, 274.



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