This block-style headrest was used by its owner to elevate his or her head during sleep. Carved from a solid block of wood, the headrest is softened by its rounded corners and edges. The straight sides rise from a rectangular base to meet a saddle-shaped pillow, which dips lower at one side to accommodate the natural shape of the human face that it would support. The slender side below the highest end of the rest has been drilled through, created a hole for the attachment of a carrying strap. The rest is unornamented; its color varies from medium to dark brown. The waxy, darker surface is most prominent at the sides and the top, where the most contact with the hair or head would have occurred.
Personal objects, headrests support the head by cradling it along the jawline, elevating it from the ground. While some regions of central and southern Africa associate headrests with dreaming and divination, they are purely practical in eastern African. Ergonomically, they align the spine, while functionally, they protect intricate hairstyles from dust or from being flattened. Hairstyles, which can take hours to create, are not simply elements of beautification, but serve as the visual representation for their wearer’s social status, age, rank, and gender. The personal nature of the headrest is reflected in the vocabulary used to describe them in two of Ethiopia’s most commonly spoken languages. In Amharic, they are known as yagertera
(“pillow of my land”), while in Oromiffaa, they are called boraati
(“tomorrow-you”). (Moreno 2015, 194) Even after the end of their useful life, headrests retain the traces of their owners; several examples in the Metropolitan’s collections have a dark sheen on the upper platform and sides, the result of the wood becoming imbued with butter-based hair dressings (käbbe
) and other materials used to shape and condition the hair. Butter as a hair dressing and symbol of female moral status features prominently in the Sidaama myth of Queen Furra. This myth says that the queen instructed female hunters to identify themselves as skilled, invincible water buffalo hunters with this hair dressing, and that these women later put butter on the tree near her grave. Among the Sidaama, butter as a hair dressing retains this symbolic reference to female power. (Hamer & Hamer 1994, 189)
The oldest preserved headrests on the African continent were found in Egypt and have been dated to the second and third dynasties of the Old Kingdom
(ca. 2649–2150 B.C.). Many of these ancient Egyptian headrest forms—particularly the solid block shaped rest—have parallels in east African headrests created some five millennia later. Indeed, this nineteenth or twentieth century Sidaama example uses the same block form and flat sides of a Middle Kingdom Egyptian headrest in the collection of the Metropolitan (19.3.148
). Due to their portable nature, headrests were once used widely among the pastoralist groups of Ethiopia and other regions of eastern Africa. They are less commonly used today because many pastoralists have transitioned to sedentary farming or moved to cities. The diversity of forms in Ethiopian headrests cannot be strictly categorized by gender, or assigned to a single ethnic group; rather, every form is carved by the Oromo, Sidaama, Gurage, and other south-central Ethiopian peoples. Some shapes and ornaments are also shared with groups in nearby Kenya, Uganda, and South Sudan, reflecting the transfer of forms across the region.
Kristen Windmuller-Luna, 2016
Sylvan C. Coleman and Pam Coleman Memorial Fund Fellow in the Department of the Arts of Africa, Oceania, and the AmericasFurther Reading
Dewey, William Joseph., Toshiko M. McCallum, Jerome Feldman, and Henrietta Cosentino. Sleeping Beauties: The Jerome L. Joss Collection of African Headrests at UCLA
. Los Angeles: Fowler Museum of Cultural History, University of California, 1993.
Moreno, Eduardo López, and Thierry Naudin. Wooden Dreams: East African Headrests from the Eduardo López Moreno Collection
. Milan: 5 Continents, 2015.
Nettleton, Anitra C. E. "East African Headrests: Identity, Form and Aesthetics." In African Dream Machines: Style, Identity and Meaning of African Headrests
, 187–243. Johannesburg, South Africa: Wits University Press, 2007.