Art/ Collection/ Art Object

Cylinder seal and modern impression: king holding two lion griffins at bay

ca. 6th–5th century B.C.
Jasper, hematite
1.1 in. (2.79 cm)
Stone-Cylinder Seals-Inscribed
Credit Line:
Dodge Fund, 1936
Accession Number:
On view at The Met Fifth Avenue in Gallery 406
Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.

The modern impression of the seal is shown so that the entire design can be seen. This seal shows a male figure, identified as a king by the crown he wears, grasping two lion-griffins that attack him from either side. An inscription in Egyptian hieroglyphs reads, "Thoth is a protection over me."
Acquired by the Museum in 1936, purchased from Louis Herse, New York.

"Curious Creatures and Bizarre Beasts," Monmouth Museum, Lincroft, New Jersey, January 28–April 1, 1979.

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