Art/ Collection/ Collection/ Art Object

Cuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god Enlil

Period:
Kassite
Date:
ca. 16th–15th century B.C.
Geography:
Mesopotamia, probably from Nippur
Culture:
Kassite
Medium:
Black marble
Dimensions:
8.25 x 9 x 1 in (20.96 x 22.86 x 2.55 cm)
Classification:
Stone-Tablets-Inscribed
Credit Line:
Bequest of W. Gedney Beatty, 1941
Accession Number:
41.160.187
Not on view
The city of Nippur, home to the chief god Enlil, was an important religious center in Mesopotamia. Rulers seeking the favor of Enlil visited the city to make offerings to the god, and contributed to the refurbishment of his temple and ziggurat, known as the Ekur (which means “mountain temple”). Bricks stamped with the inscriptions of different kings, buried during construction projects, give dates to the archaeologically -observable re-buildings of the temple from the end of the third through the early first millennia B.C.

This tablet also attests to the refurbishment of the temple. Carved onto stone, the inscription was intended to last for eternity. The name of the donor, Hashmar-galshu, is Kassite, and the inscription is written using the Kassite period preference for archaizing signs and the Sumerian language. Although Hashmar-galshu is not a particularly well-known Kassite figure, he would have been a person of some standing, capable of making such a dedication and writing his name with the divine determinative, a marker usually reserved for deities and rarely adopted by even the most powerful of rulers.

Present of
Hashmar-galshu.
A stone brick for the Ekur
for Enlil,
his lord.
1928, bought by W. Gedney Beatty from Alex. D. Messayeh; from 1931, on loan by W. Gedney Beatty to the Museum (L.30.42.5); acquired by the Museum in 1941, bequest of W. Gedney Beatty.
Spar, Ira, and Michael Jursa. 2014. Cuneiform Texts in the Metropolitan Museum of Art. Volume IV: The Ebabbar Temple Archive and Other Texts from the Fourth to the First Millennium B.C. New York: The Metropolitan Museum of Art and Eisenbrauns, no. 151, pp. 233-234, pl. 116.
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