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A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,

Artist and publisher:
Engraved and published by Arthur Pond (British, London 1701–1758 London)
Artist and publisher:
Engraved and published by Charles Knapton (British, 1700–1760)
Publisher:
John Boydell (British, Shropshire 1720–1804 London)
Artist:
After Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)
Artist:
After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina)
Artist:
After Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua)
Artist:
After Agostino Carracci (Italian, Bologna 1557–1602 Parma)
Artist:
After Annibale Carracci (Italian, Bologna 1560–1609 Rome)
Artist:
After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Artist:
After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)
Artist:
After Giovanni Francesco Grimaldi (Italian, Bologna 1606–1680 Rome)
Artist:
school of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua)
Artist:
After Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome)
Artist:
After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore)
Artist:
After Nicolas Poussin (French, Les Andelys 1594–1665 Rome)
Artist:
After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)
Artist:
After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Artist:
After Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo)
Artist:
After Giovanni da Udine (Giovanni dei Ricamatori) (Italian, Udine 1487–1564 Rome)
Artist:
After Pier Leone Ghezzi (Italian, Comunanza near Ascoli Piceno 1674–1755 Rome)
Artist:
After Giacomo Cortese, called il Borgognone (St. Hippolyte, Franche-Comté 1621–1675 Rome)
Artist:
After Garofalo (Benvenuto Tisi da Garofalo) (Italian, Ferrara 1481–1559 Ferrara)
Engraver:
James Basire, the elder (British, London 1730–1802 London)
Date:
1732–69
Medium:
Engraving, etching, woodcut
Dimensions:
Book: 20 11/16 x 15 1/16 x 1 5/8 in. (52.5 x 38.3 x 4.1cm)
Classifications:
Albums, Prints
Credit Line:
Harris Brisbane Dick Fund, 1933
Accession Number:
33.13
Not on view
R. Riviere Bookseller's ticket in upper left corner of inside front cover reads: "R. Riviere, 24 Union Street, Bath".; Vendor: Plaza Art Galleries
Henry M. Hake, "Pond & Knapton's Imitations of Drawing", Print Collector's Quarterly, IX, 4 (1922), pp. 337-49; Nagler XI.487-.489
Henry M. Hake "Pond's and Knapton's Imitations of Drawings." Print Collector's Quarterly. vol. 9, 1922, pp. 325-50.

Louise Lippincott Selling Art in Georgian London: the Rise of Arthur Pond. Yale University Press, New Haven, CT, 1983.



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