Art/ Collection/ Collection/ Art Object
{{img.publicCaption}}

Saint Peter

Artist:
Bernardo Strozzi (Italian, Genoa 1581–1644 Venice)
Date:
1581–1644
Medium:
Black chalk, selectively reinforced with wetted point of chalk, highlighted with white, on light brown paper; traces of octagonal framing outlines in black chalk by the artist
Dimensions:
13 3/4 x 9 1/8in. (35 x 23.2cm)
Classification:
Drawings
Credit Line:
Purchase, Lila Acheson Wallace Gift, 1993
Accession Number:
1993.241
Not on view
After training with Cesare Corte and about the time of his religious vocation, Strozzi entered the workshop of Pietro Sorri (1556-1622), the innovative Sienese painter sojourning in Genoa from 1956 to 1598, who led Strozzi's taste away from the somewhat artificial elegance of Cambiaso's late Mannerist style towards a greater naturalism.

The Metropolitan Museum 'Saint Peter' likely dates later still, in the 1620s, when the taste for northern European art had found a receptive public in Genoa. Drawn with the incisively clear outlines and nearby calligraphic curved hatching of Albrecht Durer and Hans Baldung Grien, it depicts the apostle Peter as a pensive, bald, elderly peasant man with deeply furrowed brow, wild locks of hair, dense beard, and knobby-jointed fingers. In type and technique it relates to a bust-length Saint John the Evangelist (Louvre, Paris, inv. no. RF 38817; see Bernardo Strozzi 1995, no. 105). Probably part of a compendium, both of these figures exhibit traces of octagonal framing outlines on the bottom of the sheet and may thus be ricordi (records) of already executed compositions rather than preliminary studies. The drawing was part of the so-called Borghese-Sagredo album and is annotated along the lower border of the verso, "P.G. no. 38," as for "Prete Genovese" probably by Zaccaria Sagredo (for this aspect see also inv. no. 1997.223 and Piero Boccardo in Bernardo Strozzi 1995.).
Inscription: Annotated in pen and brown ink on verso, P.G. no: 38.
Borghese-Sagredo Album; Zaccaria Sagredo (Italian, Venice 1653–1729 Venice); Christie's, Monaco- sale, July 2, 1993, no. 39
The Metropolitan Museum of Art. "Genoa: Drawings and Prints, 1530-1800," April 23, 1996–July 10, 1996.

George R. Goldner "Curatorial Reports and Departmental Accessions: Drawings" in Annual Report of the Trustees of the Metropolitan Museum, July 1, 1993 - June 30, 1994. The Metropolitan Museum of Art, New York, 1994, p. 27.

William M. Griswold, Helen Bobritzky Mules, Suzanne Boorsch, Nadine Orenstein "Recent Acquisitions, A Selection: 1993-1994: Renaissance and Baroque Europe - Europe 1700-1900." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 52, no. 2, Autumn 1994, p. 24, ill.

Carmen C. Bambach, Nadine Orenstein, William M. Griswold, Allegra Pesenti Genoa: Drawings and Prints, 1530-1800 Exh. cat. The Metropolitan Museum of Art, New York, 1996, cat. no. 104, p. 88.



Related Objects

Half-Length Study of a Monk Holding a Book and a Long Implement

Artist: Bernardo Strozzi (Italian, Genoa 1581–1644 Venice) Date: ca. 1637–40 Medium: Black chalk, highlighted with white chalk on blue-gray paper Accession: 1997.223 On view in:Not on view

Virgin and Child with the Infant Saint John

Artist: Bernardo Strozzi (Italian, Genoa 1581–1644 Venice) Date: 1581–1644 Medium: Etching Accession: 1972.693 On view in:Not on view

The Discovery of the True Cross

Artist: Bernardo Strozzi (Italian, Genoa 1581–1644 Venice) Date: 1581–1644 Medium: Pen and brown ink, over traces of leadpoint or black chalk, on off-white laid paper; framing outlines in pen and darker brown ink Accession: 1998.255 On view in:Not on view

Tobias Curing His Father's Blindness

Artist: Bernardo Strozzi (Italian, Genoa 1581–1644 Venice) Date: 1630–35 Medium: Oil on canvas Accession: 57.23 On view in:Gallery 601

Tobias Curing His Father's Blindness

Artist: Bernardo Strozzi (Italian, Genoa 1581–1644 Venice) Date: 1630–35 Medium: Oil on canvas Accession: 57.23 On view in:Gallery 601