Art/ Collection/ Art Object
{{img.publicCaption}}

Landscape with a Double Spruce in the Foreground

Artist:
Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
Date:
ca. 1521–22
Medium:
Etching
Dimensions:
Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm)
Classification:
Prints
Credit Line:
Purchase, Gift of Halston, by exchange, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Pfeiffer Fund, 1993
Accession Number:
1993.1097
Not on view
Altdorfer was a prolific printmaker, but he produced only nine landscape etchings, which date from about 1518 to 1522. These luminous images, lacking any traditional historical or religious narratives, were the first to celebrate landscape as the primary subject matter. This sheet shows an expansive Alpine vista with large mountains, nestled villages, and a river that winds its way beyond the two pines that command the foreground. This etching was probably produced for a small market of connoisseurs with a taste for intimate and unusual subjects. The sheet demonstrates remarkable spontaneity and a freedom of draftsmanship that echoes that of the artist’s numerous landscape drawings. Altdorfer’s revolutionary landscapes galvanized a group of artists later known as the Danube School.
Inscription: Lettered in plate at upper left of center: 'AA'
Princes of Liechtenstein, Vaduz and Vienna; Vendor: N. G. Stogdon, Inc.
The Metropolitan Museum of Art. "The Print in the North," May 06, 1997 - July 13, 1997.

The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," February 14, 1994–April 1994.

The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," March 26, 2012–July 19, 2012.

Winzinger 116.179; New Hollstein 57.e.88; Waldmann 86
Nicholas G. Stogdon Catalogue IX German Landscapes of the 16th Century. 1993, cat. no. 8.

William M. Griswold, Helen Bobritzky Mules, Suzanne Boorsch, Nadine Orenstein "Recent Acquisitions, A Selection: 1993-1994: Renaissance and Baroque Europe - Europe 1700-1900." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 52, no. 2, Autumn 1994, p. 21, ill.

Suzanne Boorsch, Nadine Orenstein "The Print in the North: The Age of Albrecht Durer and Lucas van Leyden." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 54, no. 4, Spring 1997, p. 41.



Related Objects

Three Goblets against a blank Background

Artist: Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg) Date: 1530 Medium: Etching Accession: 24.82.5 On view in:Not on view

The Holy Family with Saint Elizabeth and the Infant Saint John

Artist: Follower of Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg) Date: 1513 Medium: Pen and dark brown ink highlighted with brush and opaque white on light brown prepared paper. Accession: 1975.1.853 On view in:Not on view

Saint Jerome Walking in a Churchyard

Artist: Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg) Medium: Engraving Accession: 20.64.1 On view in:Not on view

The Flight Into Egypt, from The Fall and Salvation of Mankind Through the Life and Passion of Christ

Artist: Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg) Date: ca.1513 Medium: Woodcut Accession: 20.11.19 On view in:Not on view

Nativity, from The Fall and Salvation of Mankind Through the Life and Passion of Christ

Artist: Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg) Medium: Woodcut Accession: 20.11.15 On view in:Not on view