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Parallèlement

Illustrator:
Illustrated by Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet)
Author:
Written by Paul Verlaine (French, 1844–1896)
Publisher:
Published by Ambroise Vollard (French, 1867–1939)
Printer:
Printed by Auguste Clot (French)
Printer:
Printed by Tony Beltrand
Printer:
Printed by L'Imprimerie Nationale, Paris
Date:
1900
Medium:
109 lithographs printed in rose ink; 9 wood engravings
Dimensions:
Overall: 11 15/16 x 9 13/16 x 1 3/16 in. (30.3 x 25 x 3 cm) sheet: 12 x 9 13/16 in. (30.5 x 25 cm)
Classification:
Books
Credit Line:
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970
Accession Number:
1970.713
Rights and Reproduction:
© 2016 Artists Rights Society (ARS), New York
Not on view
Bonnard's response to Verlaine's poems on the parallelism of human nature was unprecedented in its rich expansiveness, his 109 designs suggesting the Rococo splendor of red-chalk drawings by Boucher and Watteau. The book, published by Ambroise Vollard, was the first modern livre de peintre, combining a classically printed text with a painter's freehand allusions. The illustrations are luxuriously unconfined by either strict format or literal attention to the text, and flow with extraordinary immediacy. While one contemporary critic dismissed the work as "uncertain ... stutterings," another declared that never before had illustrations been so perfectly adapted to a book of verse. Indeed, the harmonious relationship of word and image set a new standard in book design.
Bouvet 73; Ives 82; Roger-Marx 94; Boston (Artist and Book) 27; Johnson no. 22, pp. 18-19; Skira 21; Mahé p. 25; Rausch 21; Lewis pp. 81-83; Vicaire VII.994
Jean Floury Essai de catalogue de l'oeuvre gravé et lithographié de Pierre Bonnard in Charles Terrasse, Bonnard. see Notes, 1927, p. 40.

Claude Roger-Marx Bonnard lithographe. Monte Carlo: André Sauret, 1952, p. 94.

Colta Ives, Janet S. Byrne, Mary L. Myers, Suzanne Boorsch, Weston J. Naef, David W. Kiehl, The Metropolitan Museum of Art The Metropolitan Museum of Art: Notable Acquisitions, 1965-1975: Prints, Architecture and Ornament. New York, 1975, p. 190, ill.

Francis Bouvet, Jane Brenton, Antoine Terrasse Bonnard: The Complete Graphic Work. 1981, p. 73.

Colta Ives, Helen Giambruni, Sasha M. Newman Pierre Bonnard: The Graphic Art. Exh. cat. The Metropolitan Museum of Art, New York, 1990, pp. 162-172, cat. no. 82, fig. no. 223,227-8,231, pp. 164-65,167-6, ill.



Related Objects

(r) Sketches of Andrée Bonnard, the dog Ravageau, Claude Terrasse and, at lower left, the artist, himself, c. 1889; (v) A Grass Hut before a Wattled Fence

Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet) Date: ca. 1889 Medium: Pen and ink Accession: 1998.198a, b On view in:Not on view

The Goatherd (recto)

Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet) Date: 1945–46 Medium: Pencil and colored chalk on cream wove paper (from sketchbook) Accession: 1975.1.570 On view in:Not on view

Female Nude on a Couch

Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet) Date: ca. 1908–10 Medium: Graphite on tan wove paper mounted on Bristol board Accession: 1975.1.571 On view in:Not on view

Poor Adèle

Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet) Date: 1898 Medium: Lithograph Accession: 48.161.5 On view in:Not on view

Rainy Street at evening time (cancelled plate)

Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet) Date: ca. 1899 Medium: Lithograph Accession: 1985.1072.3 On view in:Not on view